Architecture, Medieval
Architecture, Romanesque
Architecture, Carolingian
Architecture, High Gothic
Architecture, Late Gothic
Architecture, Lombard
Architecture, Merovingian
Architecture, Norman
Castles
Architectures 4 by
Examines the Royal Saltworks of Arc and Senans, the Guggenheim Museum in Bilbao, Jean Prouve's House, the St. Foy Abbey, and the Sendai Mediatheque. Provides an inside look at the work of celebrated architects and some of their most brilliant creations. Examines the saltworks of Arc-and-Senans built by Claude-Nicolas Ledoux in the late 18th century and the influence of this monumental factory on other architects. Looks at the Maison de Verre or the house of glass, designed by Pierre Chareau and completed in 1932, as an example of playful avant-garde architecture that was built around the top floor of an existing Paris building that the tenant refused to vacate. Discusses how the deconstructivist Guggenheim Museum of Bilbao, designed by Frank Gehry and opened to the public in 1997, was incorporated into its environment in a dying industrial city. Describes how the self-educated engineer and architect Jean Prouvé, known for his metal furniture, built a house for his own family in 1954 after the failure of his attempts to sell prefabricated, steel and aluminum houses to the French public. Examines the transparent cube of a multimedia library built in 2001 in northern Japan by architect Toyo Ito and its use of open and barrier-free space. Looks at the construction of the historic Abbey Church of Saint Foy as a prototype of a "pilgrim church" in the new style of the 11th century, now known as Romanesque.
Architecture and Ideology in Early Medieval Spain by
In analyzing the early medieval architecture of Christian and Islamic Spain, Jerrilynn Dodds explores the principles of artistic response to social and cultural tension, offering an account of that unique artistic experience that set Spain apart from the rest of Europe and established a visual identity born of the confrontation of cultures that perceived one another as alien. Architecture and Ideology in Early Medieval Spain covers the Spanish medieval experience from the Visigothic oligarchy to the year 1000, addressing a variety of cases of cultural interchange. It examines the embattled reactive stance of Hispano-Romans to their Visigothic rulers and the Asturian search for a new language of forms to support a political position dissociated from the struggles of a peninsula caught in the grip of a foreign and infidel rule. Dodds then examines the symbolic meaning of the Mozarabic churches of the tenth century and their reflection of the Mozarabs' threatened cultural identity. The final chapter focuses on two cases of artistic interchange between Islamic and Christian builders with a view toward understanding the dynamics of such interchange between conflicting cultures. Dodds concludes with a short account of the beginning of Romanesque architecture in Spain and an analysis of some of the ways in which artistic expression can reveal the subconscious of a culture.
Carolingian and Romanesque Architecture, 800-1200 by
Professor Conant's detailed studies of Santiago de Compostela and of the abbey church at Cluny fit him for this account of building in the period of the round arch which preceeded Gothic. In this volume he shows how, at the instigation of the monasteries during the little renaissance of Charlemagne, Roman methods of construction were revived and fused with local traditions to produce a distinctive Carolingian manner; and how such monuments as the Palatine Chapel at Aachen already contained hints of the nobler and more mature Romanesque style which was to become international. professor Conant extends his survey to cover the regions of medieval France, Spain, Portugal, the Holy Land, Italy, Germany, Northern Europe, and Britain.
The Gothic Cathedral by
Hundreds of these great churches were built throughout Europe in a rich variety of styles between c. 1130 and c. 1530, all of them representing an investment of money and effort so immense that it is difficult to find a modern parallel. Christopher Wilson focuses here on the interaction between design and the requirements of patrons, following the creative processes of architects by reconstructing the problems and opportunities that they faced. He discusses chronology, structural techniques, and stylistic developments and then goes further, seeing the story as a sequence of choices from which new challenges and solutions arose. 221 illustrations.
Medieval Architecture in Western Europe by
For the first time, instructors of Medieval Architecture have a selective survey that obviates the need to piece together teaching material from several sources. Medieval Architecture in Western Europe: From A.D. 300 to 1500 presents a selection of major monuments of Medieval Europeanarchitecture in a single volume. Beginning with a study of structural antecedents found in late Roman architecture, the author examines Early Christian borrowings and transformations and selected representative types of Byzantine buildings. The following chapters cover the development of themonastic complex, traditional forms of Northern timber construction, and the contributions of the Carolingian and Ottonian empires. Spanish structures from the seventh century through the tenth century set the stage for the development of the Romanesque style, examined in its various regionalmanifestations. After identifying the structural sources of Gothic architecture, the author presents the evolving regional Gothic styles, Late Gothic elaborations and innovations, and representative types of secular architecture. The text concludes with an informative chapter on medieval buildingpractices and the tradition of the Master Mason.Medieval Architecture in Western Europe: From A.D. 300 to 1500 is thoroughly illustrated with plans, sections, diagrams, and photographs, and also includes an IBM-compatible CD-ROM, featuring over 800 supplementary views and details of the buildings discussed, all in color. Filling the gap betweengeneral surveys of architectural history and specialized works on specific periods and regions, this book is ideal for introductory courses in Medieval Architecture, but will also satisfy any reader with an interest in the Middle Ages.
Medieval Practices of Space by
The contributors to this volume cross disciplinary and theoretical boundaries to read the words, metaphors, images, signs, poetic illusions, and identities with which medieval men and women used space and place to add meaning to the world.
The Romanesque: towns, cathedrals, and monasteries by
Originated by art theorists in the Nineteenth Century, the term ""Romanesque"" refers to a school of religious architecture and design from the early medieval period. As with all terms that attempt to summarise an epoch, ""Romanesque"" artificially constructs the notion of one unified style, but as this book makes clear, the Romanesque tendency consisted of many different, eclectic characteristics. The investigation back through time leads us across the ancient pilgrim routes of the Pyrenees, and then into a vast range of devotional structures -churches, tombs, monuments, cathedrals and basilicas. Each one carries its own regional imprint and spiritual iconography. Containing rigorously detailed and comprehensive insights into all aspects of Romanesque symbolism and ritual, this book includes analysis of liturgical equipment, and explores the significance of many features of the buildings. A fascinating, mystical quest that forms the second volume in this acclaimed series on Medieval architecture.