The Penguin Dictionary of Architecture and Landscape Architecture by
For over thirty years, The Penguin Dictionary of Architecturehas been a standard work of reference. Now with 'Landscape Architecture' added to its title to reflect the huge expansion of interest in this area, this new edition has been thoroughly revised by John Fleming and Hugh Honour to update many entries, add a great many new ones and gives new prominence to landscape architecture. A classic in its field, this remarkable dictionary contains- biographies of architects, ancient and modern; history and development of architectural styles by country; detailed descriptions of architectural terms; explanations of styles and movements in architecture; new terminology and modern topics; information on contemporary architects; entries on types of buildings and building materials; and clear, detailed drawings where appropriate.
A Visual Dictionary of Architecture by 
Ancient China: a Journey Back in Time by 
Allegorical Architecture: Living Myth and Architectonics in Southern China by
Offers an architectural analysis of built forms and building types of the minority groups in southern China and of the Dong nationality in particular.
Art of the Yellow Springs: Understanding Chinese Tombs by
We might think the Egyptians were the masters of building tombs, but no other civilization has devoted more time and resources to underground burial structures than the Chinese. For at least five thousand years, from the fourth millennium B.C.E. to the early twentieth century, the Chinese have been building some of the world's most elaborate tombs and furnishing them with exquisite objects. It is these objects and the concept of the tomb as a "treasure-trove" that The Art of the Yellow Springs seeks to critique, drawing on recent scholarship to examine memorial sites the way they were meant to be experienced: not as a mere store of individual works, but as a work of art itself. Wu Hung bolsters some of the new trends in Chinese art history that have been challenging the conventional ways of studying funerary art. Examining the interpretative methods themselves that guide the study of memorials, he argues that in order to understand Chinese tombs, one must not necessarily forget the individual works present in them--as the beautiful color plates here will prove--but consider them along with a host of other art-historical concepts. These include notions of visuality, viewership, space, analysis, function, and context. The result is a ground-breaking new assessment that demonstrates the amazing richness of one of the longest-running traditions in the whole of art history.
Building a Sacred Mountain: The Buddhist Architecture of China's Mount Wutai by
By the tenth century CE, Mount Wutai had become a major pilgrimage site within the emerging culture of a distinctively Chinese Buddhism. Famous as the abode of the bodhisattva Ma�ju r (known for his habit of riding around the mountain on a lion), the site in northeastern China�s Shanxi Province was transformed from a wild area, long believed by Daoists to be sacred, into an elaborate complex of Buddhist monasteries. In Building a Sacred Mountain, Wei-Cheng Lin traces the confluence of factors that produced this transformation and argues that monastic architecture, more than texts, icons, relics, or pilgrimages, was the key to Mount Wutai�s emergence as a sacred site. Departing from traditional architectural scholarship, Lin�s interdisciplinary approach goes beyond the analysis of forms and structures to show how the built environment can work in tandem with practices and discourses to provide a space for encountering the divine. For more information: http://arthistorypi.org/books/building-a-sacred-mountain
Building Shanghai: The Story of China's Gateway by
Shanghai's illustrious history and phenomenal future is celebrated in this book, which examines the evolution of the city's architecture and urban form in order to contextualise the challenges facing the city today. The physical legacies that reflect Shanghai's uniqueness historically and contemporarily are examined chronologically using specific case studies of exemplary architecture interwoven in a compelling narrative that unlocks the many mysteries surrounding this amazing metropolis. Some of the most influential colonial architecture in the world, outstanding examples of Modernism and Art Deco, and an exceptional selection of eclectic and vernacular architecture reflecting Shanghai's many adopted cultures are revealed. This is the first book ever to examine this remarkable subject in a manner that is both comprehensive and captivating in its written content and stunningly illustrated with over 300 archive and contemporary photographs and maps.
China's Old Dwellings by
A comprehensive critical examination of China's folk architectural forms. Together with its companion volume, China's Living Houses: Folk Beliefs, Symbols, and Household Ornamentation, it provides a study of the environmental, historical and social factors that influence housing forms for nearly a quarter of the world's population. Both books draw on the author's 30 years of fieldwork and travel in China, as well as on published and unpublished material in many languages.
China's Vernacular Architecture: House Form and Culture by
Knapp (geography, SUNY) continues the work of his previous books by examining the distinctive characteristics of the common house in Zhejing province. Over 300 original photographs illustrate his discussion of construction techniques, the organization of space, settlement patterns, the expression of folk beliefs, and the influence of formal Chinese architecture. Includes a glossary of Chinese terms, with pronunciation. Annotation copyrighted by Book News, Inc., Portland, OR
Chinese Architecture by
A comprehensive and authoritative study of Chinese architecture from Neolithic times to the late-19th century. Six of China's greatest architectural historians have joined with a leading Western scholar to write this text, a collaborative history of Chinese architecture.
Chinese Architecture and Metaphor: Song Culture in the Yingzao Fashi Building Manual by
Investigating the historical tradition of Chinese architectural writing from antiquity to the twelfth century, Chinese Architecture and Metaphor reveals significant and fascinating social and cultural phenomena in the most important primary text for the study of the Chinese building tradition. Unlike previous scholarship, which has reviewed this imperially commissioned architectural manual largely as a technical work, this volume considers the Yingzao fashi's unique literary value and explores the rich cultural implications in and behind its technical content. Utilizing a philological approach, the author pays particular attention to the traditional and contemporary architectural terminology presented in the Yingzao fashi. In examining the semantic meaning of the architectural terms used in the manual, he uncovers a systematic architectural metaphor wherein bracketing elements are likened to flowers, flowering branches, and foliage: Thus pillars with bracketing above are compared to blossoming trees. More importantly, this intriguing imagery was shared by different social groups, in particular craftsmen and literati, and craftsmen themselves employed literary knowledge in naming architectural elements. Relating these phenomena to the unprecedented flourishing of literature, the literati's greater admiration of technical knowledge, and the higher intellectual capacity of craftsmen during the Song, Architecture and Metaphor demonstrates how the learned and "unlearned" cultures entangled in the construction of architectural knowledge in premodern China. It convincingly shows that technical language served as a faithful carrier of contemporary popular culture and aesthetic concepts. Chinese Architecture and Metaphor demonstrates a high level of engagement with a broad spectrum of sophisticated Chinese sources. It will become a classic work for all students and scholars of East Asian architecture.
Himalayan Vernacular Architecture: Vernacular Architecture of the Himalayas and Environs by
The region of the Himalayas and the adjoining Tibetan plateau is known for its unique and characteristic vernacular architecture and housing culture which is slowly but surely disappearing. The first part of the book analyses 19 traditional houses in the region that respond in diverse ways to the specifics of their location and local climate. The second part presents a comparative study of the construction elements - walls, roof and façades - using photographs and hand-drawn construction details. The newly produced scale drawings provide an excellent basis for comparative review. Detailed plans, atmospheric photographs and informative texts take the reader on a journey through a fascinating building culture.
Monumentality in Early Chinese Art and Architecture by
Chinese decorative, pictorial, and architectural forms, often approached as separate traditions, are here explained as a broad artistic movement and contextualized as part of a well-defined cultural and political tradition. The book begins with the first comprehensive explanation of "ritual art". This native genre encompasses ceremonial pottery, jades, and bronzes, which, though often small and hidden, manifest a unique sense of the monumental. The author traces the decline of this archaic tradition and the corresponding rise of palatial and funerary monuments against the background of China's transition from a network of principalities to a unified political state. He portrays the continual reinvention of the city in China as he analyzes the history of the Western Han capital, Chang'an, and brings to life the individual motives of builder, mourner, and deceased in discussing the unprecedented construction and decoration of mortuary monuments during the Eastern Han. The book concludes by reexamining what is,arguably the most important event in Chinese art history: the appearance of individual artists during the post-Han period and their transformation of public monumental art into a private idiom.
Traditional Chinese Architecture by
A groundbreaking book by one of the world's leading historians of Chinese architecture Translated by Alexandra Harrer. Fu Xinian is considered by many to be the world's leading historian of Chinese architecture. He is an expert on every type of Chinese architecture from every period through the nineteenth century, and his work is at the cutting edge of the field. Traditional Chinese Architecture gathers together, for the first time in English, twelve seminal essays by Fu Xinian. This wide-ranging book pays special attention to the technical aspects of the building tradition since the first millennium BC, and Fu Xinian's signature drawings abundantly illustrate its nuances. The essays delve into the modular basis for individual structures, complexes, and cities; lateral and longitudinal building frames; the unity of sculpture and building to create viewing angles; the influence of Chinese construction on Japanese architecture; and the reliability of images to inform us about architecture. Organized chronologically, the book also examines such topics as the representation of architecture on vessels in the Warring States period, early Buddhist architecture, and the evolution of imperial architecture from the Tang to Ming dynasty. A biography of Fu Xinian and a detailed Chinese-English glossary are included. Bringing together some of the most groundbreaking scholarship in Chinese architectural history, Traditional Chinese Architecture showcases an uncontested master of the discipline.
Urbanization in Early and Medieval China by
The heart of Urbanization in Early and Medieval China consists of translations of three gazetteers written during the Han (206 BCE-220 CE), Tang (618-907), and Northern Song (960-1126) dynasties describing the city of Suzhou. The texts allow the reader to trace the dramatic changes that occurred as the city experienced enormous political and social upheavals over nine centuries. Each translation is accompanied by extensive annotation and a detailed discussion of the historical background of the text, authorship, and publication history. The book also traces the development of the gazetteer genre, the history of urban planning in China, and what we know about the early development of Suzhou from other texts and archaeological research. Urbanization in Early and Medieval China will be useful not only to scholars of Chinese history, but to scholars studying architecture and urban planning as well.
Architecture—China
Architecture—China—History
Architecture—China—History--To 221 B.C.
Architecture—China—History--Qin-Han dynasties, 221 B.C.-220 A.D.
Architecture—China—History--Three kingdoms-Sui dynasty, 220-618
Architecture—China—History--Tang-Five dynasties, 618-960
Architecture—China—History--Song-Yuan dynasties, 960-1368
Architecture—China—History--Ming-Qing dynasties, 1368-1912