Islamic art
Islamic art and symbolism
Islamic decoration and ornament
Islamic mosaics
Islam and architecture
Islamic painting
Mosques
Islam: Empire of Faith by 
Arabic Geometrical Pattern and Design by
Nearly 200 examples exhibit the wide range of Islamic art, including hexagon and octagon designs, combinations of stars and rosettes, and many variations on other geometric patterns. Twenty-eight examples from traditional sources in Cairo and Damascus include sanctuary doors, openwork windows, and inlaid marble pavements and ceilings.
Arab Painting: Text and Image in Illustrated Arabic Manuscripts by
Arab painting is treated here as a significant artistic corpus in its own right. Rejecting the traditional emphasis on individual paintings, the distinguished contributors to this volume stress the integration of text and image as a more productive theoretical framework.
The Art and Architecture of Islam, 1250-1800 by
Virtually all the masterpieces of Islamic art - the Alhambra, the Taj Mahal and the Tahmasp Shahnama - were produced during the period from the Mongol conquests in the early 13th century to the advent of European colonial rule in the 19th century. This work surveys the architecture and arts of the traditional Islamic lands during this era.
Art and Architecture of Islamic Cairo by
Since Napoleon's invasion of Egypt in 1798, the western traveller has been obsessed with the Pharaohs and Egypt's ancient past. Her Islamic culture has been largely ignored, and the pyramids have been allowed to cast a long shadow over the visual culture of Islamic Cairo, obscuring a magnificent art and architectural heritage that has lasted over a thousand years, from the building of the Mosque of Amr in the 7th century to that of Muhammad Ali in the 19th century. Cairo is full of masterpieces of medieval art and architecture, reflecting the status of Egypt as the center of several significant Muslim empires. This book redresses the cultural balance and examines the art and architectural treasures of Cairo from the Arab to the Ottoman conquests (642-1517). Set within an historical narrative, the stylistic development of the visual arts is explained within changing religious, social, and political contexts. Examples of the decorative arts-ceramics, glass, woodwork, metalwork, textiles, and manuscripts-are examined from the Museum of Islamic Art, Cairo, and other major collections in Europe and the USA. Architecture and the decorative arts are dealt with separately with detailed descriptions, illustrating how the story of Islamic art and architecture is one of continuing adaptation and change. By concentrating on Cairo's Islamic art and architecture, the author has created a study of Islamic style which is unprecedented in its historical scope. Fully illustrated with over200 vivid photographs, plans, and elevations and a comprehensive glossary of architectural terms, this book will be essential reading for architects, designers, historians, and anyone with an appreciation of one of the world's finest and richest architectural legacies, tragically under threat.
Art of Islam by
Following the ideals of beauty of Islamic art, the book shows high-quality representations of numerous monumental masterpieces, such as the Al-Aqsa mosque in Jerusalem, the Taj Mahal in Agra or the Alhambra in Granada, in which one recognises the stylisation of motives of the Muslim ceramics.
Central Asian Art by
The strict prohibition on the representation of the human form has channeled artistic creation into architecture and architectural decoration. This book is a magical tour through Central Asia - Khirgizia, Tadjikistan, Turkmenia, and Uzbekistan - a cradle of Ancient civilisations and are pository of the Oriental arts inspired by Buddhism and Islam. There are magnificent, full-colour photographs of the abandoned cities of Mervand Urgench, Khiva, the capital of the Kharezm, with its mausoleum of Sheikh Seid Allahuddin,and, the Golden Road to Samarkand, the Blue City, a center of civilisation for 2,500 years.form has channeled artistic creation into architecture andarchitectural decoration. This book is a magical tourthrough Central Asia - Khirgizia, Tadjikistan, Turkmenia,and Uzbekistan - a cradle of Ancient civilisations and arepository of the Oriental arts inspired by Buddhism andIslam. There are magnificent, full-colour photographs of theabandoned cities of Mervand Urgench, Khiva, the capital ofthe Kharezm, with its mausoleum of Sheikh Seid Allahuddin,and, the Golden Road to Samarkand, the Blue City, acenter of civilisation for 2,500 years.
Cosmology and Architecture in Premodern Islam: An Architectural Reading of Mystical Ideas by
A fascinating exploration of how the transcendent is expressed in the spatial sensibility of premodern Islam.
The Dome of the Rock and Its Umayyad Mosaic Inscriptions by
Located on the Temple Mount in Jerusalem, the Dome of the Rock was constructed at the end of the seventh century by order of caliph 'Abd al-Malik. This seminal structure has been much studied but no definitive interpretation yet exists of the meanings conveyed by the Dome at the time of its completion. The recovery of meaning is complicated by the paucity of primary written sources relating to the construction phases of the building and the motivations of its patron. This book concentrates on the most important surviving primary text, the long mosaic inscription running around the interior. Comprising a dedication and date (72/691-92) and material of a religious nature, the mosaic inscription provides vital evidence for the reconstruction of the meanings and functions of the Dome of the Rock. The detailed study of the mosaics helps to place them in the context of Late Antique monumental writing, particularly in Greek. The book makes use of contemporary Islamic coins, graffiti, and other inscribed objects in order to examine the Dome of the Rock in the relation to the ideological concerns of the Umayyad elite during and after the second Civil War.
Dragon in Medieval East Christian and Islamic Art by
This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures.
The Emperors' Album by
Fifty leaves that form the sumptuous Kevorkian album, one of the world's great assemblages of Mughal art.
Facts and Artefacts by
In this impressive collection honouring the German scholar of Islamic art Jens Kr ger on his 65th birthday, Avinoam Shalem and Annette Hagedorn bring together twenty-five contributions from a highly distinguished group of experts on Islamic art and specialists of central and south Asian art. Unpublished artefacts and new interpretations are presented in this book.
Historic Designs and Patterns in Color from Arabic and Italian Sources by 
Muqarnas: History and Ideology - Architectural Heritage of the Lands of Rum by
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Images of Thought: Visuality in Islamic India, 1550-1750 by
Images of Thought is an entirely new approach to understanding non-Western art. Supported by a wide reading in anthropology, theology and philosophy, it provides an intellectual context for reading the visual language of Indian and Persian miniature art. By decoding artistic conventions, and with searching visual analyses, the book attempts to transform our understanding of art as an illustration of history to art as a reflection of the intellect. Images of Thought should be of interest to the general reader, students and scholars of art and critical theory, as it shows that one of the world's richest painting traditions can offer important insights into issues of visual perception and intellectual production generally.
In the Shadow of the Church: The Building of Mosques in Early Medieval Syria by
In his book In the Shadow of the Church: The Building of Mosques in Early Medieval Syria Mattia Guidetti examines the establishment of Muslim religious architecture within the Christian context in which it first appeared in the Syrian region, contributing to the debate on the transformation of late antique society to a Muslim one. He scrutinizes the slow process of conversion to Islam of the most important town centers by looking at religious places of both communities between the seventh and the eleventh century. The author assesses the relevancy of churches by analyzing the location of mosques and by researching phenomena of transfer of marble material from churches to mosques.
Islamic Art by
From the Alhambra to the Taj Mahal, from the Dome of the Rock to the ever evolving art of calligraphy, Barbara Brend traces the development of classic Islamic art from the seventh through the twentieth century. The term "Islamic art" suggests a unity of style and purpose, and these works are in fact instantly recognizable for their subtlety of line and sumptuous detail. The Islamic world--from Arabia to North Africa and Spain, from Turkey to Central Asia and India--has a shared cultural heritage of extraordinary richness. Yet it is a common tradition that divides into a diversity of styles. So Brend narrates this history region by region, illustrating her discussion with superb examples drawn from all areas in which Muslim artists and craftsmen have excelled--mosque and palace architecture; the art of the book (calligraphy, painting, and bindings); and the decorative arts, including metalwork, carvings, mosaics, pottery, textiles, and carpets. Throughout, the author elucidates forms, aesthetic principles, themes, and imagery. And she points to sources and influences in the different periods--for example, the prominence of jade and chinoiserie after the Mongol invasion. In Islamic Art Brend expertly guides us through the splendors and delicacies of this classic tradition.
Islamic Art by
The delicate splendour and fairytale beauty of Islamic art The art which arose from the 7th century in the Islamic empires reached from Spain and Morocco to the borders of China. It bore the stamp above all of Arabs, Persians and Turks, but outstanding contributions also came from Egypt and India. "Islamic Art" presents prominent examples: luxury ceramics, prayer mats, goldsmithery, as well as witnesses to the decorative arts and calligraphy - and above all the masterpieces of the splendidly colourful courtly book illumination of Persia and the Mughal emperors of India. The book examines the contributions of the different countries and how they influenced each other, and in this way vividly illustrates the unfolding of the delicate splendour and fairytale beauty of Islamic art from its beginnings into the modern era. About the Series: Each book in TASCHEN's Basic Genre Series features: a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist approximately 100 colour illustrations with explanatory captions
Islamic Art by
This gorgeous survey of art from the Islamic world covers three continents and fourteen centuries. From its birth in the seventh century through modern times, the Islamic religion has inspired glorious works of art. This stunning book includes more than four hundred reproductions of treasures of Islamic art that span the world: from southern Europe, along the entire Mediterranean basin to sub-Saharan Africa through the Middle East, India, and Central Asia. Arranged geographically, the objects include paintings, miniatures, ceramics, calligraphy, textiles, carpets, and metal works. Each region is given a thorough introduction that offers historical context and extensive descriptions of its artifacts. Accompanying essays offer guidance in interpreting the many themes that tie these works together, including typology, calligraphy, and religious beliefs. Despite its wide-ranging history and origins, Islamic art is unified by its devotion to faith and beauty. With its large format, exquisite reproductions and extensive research, this book is a thorough introduction to an artistic tradition.
Islamic Chinoiserie: The Art of Mongol Iran by
Winner of Honourable Mention, Saidi-Sirjani Book Award 2008-9, International Society for Iranian Studies The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran. This illustrated book offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the process of adoption and adaptation of Chinese themes in the art of Mongol-ruled Iran in a visually compelling way. The observation of this unique artistic phenomenon serves to promote the understanding of the artistic diversity of Islamic art in the Middle Ages.
Islamic Design: A Genius for Geometry by
Throughout their long history the craft traditions of the Islamic world evolved a multitude of styles applied to a great variety of media but always with unifying factors that make them instantly recognizable. Harmony is central. There are two key aspects to the visual structure of Islamic design, calligraphy using Arabic script-one of the world's great calligraphic traditions-and abstract ornamentation using a varied but remarkably integrated visual language. This art of pure ornament revolves around two central themes; crystalline geometric patterns, the harmonic and symmetrical subdivision of the plane giving rise to intricately interwoven designs that speak of infinity and the omnipresent center; and idealized plant form, spiraling tendrils, leaves, buds and flowers embodying organic life and rhythm. 1.WIDE APPEAL: Anyone interested in science, mathematics, design, architecture, and the natural world. 2.AUTHORITATIVE: A compelling blend of scholarship and visual presentation, packs an enormous amount of information into a short space. 3.BEAUTIFUL PACKAGE: A bargain at $10.00. Winner of First Prize for Nonfiction at the New York Book Show 4.SERIES PURPOSE: All are aimed at bringing ancient wisdom forward into the 21st century. 5.INSPIRING: The perfect entrée into a challenging topic; will inspire other reading.
The Islamic Manuscript Tradition: Ten Centuries of Book Arts in Indiana University Collections by
Over the course of ten centuries, Islam developed a rich written heritage that is visible in paintings, calligraphies, and manuscripts. The Islamic Manuscript Tradition explores this aspect of Islamic history with studies of the materials and tools of literate culture, including pens, inks, and papers, Qur'ans, Persian and Mughal illustrated manuscripts, Ottoman devotional works, cartographical manuscripts, printed books, and Islamic erotica. Seven essays present new scholarship on a wide range of topics including collection, miniaturization, illustrated devotional books, the history of the printing press in Islamic lands, and the presence and function of erotic paintings. This beautifully produced volume includes 111 color illustrations and provides a valuable new resource for students and scholars of Islamic art.
The Majesty of Mughal Decoration by
An exquisitely illustrated survey of the decorative motifs and visual themes from one of the great artistic periods in Indian history. Mughal decorative arts delight in arabesque and geometric designs, as well as scenes of nature (flowers, birds, and animals) and human pleasure (music, dancing, feasting, love-making). Master craftsmen at the Mughal and Rajput courts employed a variety of materials and techniques to produce marble panels inlaid with semi-precious stones, sandstone screens perforated with geometric designs, brass vessels inlaid with strips of silver and gold, jade drinking cups, dagger hilts encrusted with rubies and emeralds, and costumes and sashes embroidered with silk and golden threads. No less gorgeous were the vividly toned and exquisitely detailed miniature paintings that portrayed contemporary events as well as epic tales. Drawing on the finest and most representative examples in public and private collections in India, Europe, and America, this stunning survey examines common decorative motifs and themes in Mughal art. More than 300 illustrations amply convey the virtuoso workmanship and the sheer elegance of design common to all objects. It will be an essential reference work for art historians, designers, and anyone interested in the arts and life of India. 300+ color photographs and illustrations.
Making and Remaking Mosques in Senegal by
This book constitutes a seminal contribution to the fields of Islamic architectural history and gender studies. It is the first major empirical study of the history and current state of mosque building in Senegal and the first study of mosque space from a gender perspective.
The Mosaics of Khirbet El-Mafjar Hisham's Palace by
This is a presentation of beautiful colored mosaics. They originate from buildings in the oasis of Jericho and all date from the first half of the eighth century, during the time of Umayyad caliphate of the early Islamic period. Many visitors have had the privilege of seeing the mosaics revealed, but no one has experienced the impact of all these pavements since they were first excavated in the 1930s and 1940s. A few have been published, but the presentation in Hamilton and Grabar (Khirbat al Mafjar: An Arabian Mansion in the Jordan Valley, 1959) is only very fine aquarelle paintings from the originals. In 2010 the Department of Antiquities and Cultural Heritage uncovered, cleaned, and assessed the state of conservation of these mosaics. A series of high-quality digital photographs was prepared by a team from the Department, composed of M. Diab, N. Khatib, Said Ghazal, Rafaat Sharaia, and I. Hamdan, under the direction of ?. Taha, from which the present selection is offered for study and appreciation of this triumph in early Islamic art. These images speak for themselves.
Muqarnas, Volume 24 by
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Muqarnas, Volume 25 by
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Muqarnas, Volume 26 by
Muqarnasis sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.Muqarnas26 contains articles on a variety of topics that span and transcend the geographic and temporal boundaries that have traditionally defined the history of Islamic art and architecture. Contributors include Robert McChesney, Mattia Guidetti, Marcus Schadl, Christian Gruber, Katia Cytryn-Silverman, Doris Abouseif, Olga Bush, Emine Fetvaci, Moya Carey, Bernard O'Kane, Hadi Maktabi, Nadia Erzini and Stephen Vernoit.
Muqarnas, Volume 27 by
Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. The articles in Muqarnas 27 address topics such as spolia in medieval Islamic architecture, Islamic coinage in the seventh century, the architecture of the Alhambra from an environmental perspective, and Ottoman Mamluk gift exchange in the fifteenth century. The volume also features a new section, entitled Notes and Sources , with pieces highlighting primary sources such as Akbar s Kath sarits gara. Contributors include Ebba Koch, Elizabeth Lambourn, Elias Muhanna, Rina Avner, Kathryn Moore, Alicia Walker, Todd Willmert, Julia Gonnella, Zeynep Ertu , Jere Bacharach, Persis Berlekamp, Heike Franke, Vincenza Garofalo, and Fabrizio Agnello.
Perspectives on Persian Painting by
This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century, but a case can be made that work was probably illustrated earlier in India.
Rum Seljuq Architecture, 1170-1220:The Patronage of Sultans by
This lavishly illustrated volume presents the major surviving monuments of the early period of the Rum Seljuqs, the first major Muslim dynasty to rule Anatolia. A much-needed overview of the political history of the dynasty provides the context for the study of the built environment which follows. The book addresses the most significant monuments from across the region: a palace, a minaret and a hospital are studied in detail, along with an overview of the decorative portals attached to a wide array of different building types. The case studies are used to demonstrate the key themes and processes of architectural synthesis and development that were under way at the time, and how they reflect the broader society.
Shaping of Persian Art: Collections and Interpretations of the Art of Islamic Iran and Central Asia by
While the impact of the Persian style is undeniably reflected in most aspects of the art and architecture of Islamic Central Asia, this Perso-Central Asian connection was chiefly formed and articulated by the Euro-American movement of collecting and interpreting the art and material culture of the Persian Islamic world in modern times. This had an enormous impact on the formation of scholarship and connoisseurship in Persian art, for instance, with an attempt to define the characteristics of how the Islamic art of Iran and Central Asia should be viewed and displayed at museums, and how these subjects should be researched in academia. This important historical fact, which has attracted scholarly interest only in recent years, should be treated as a serious subject of research, accepting that the abstract image of Persian art was not a pure creation of Persian civilization, but that it can be the manifestation of particular historical times and charismatic individuals. Attention should therefore be given to various factors that resulted in the shaping of Persian imagery across the globe, not only in terms of national ideologies, but also within the context of several protagonists, such as scholars, collectors and dealers, as well as of the objects themselves. This volume brings together Islamic Iranian and Central Asian art experts from diverse disciplinary and professional backgrounds, and intends to offer a novel insight into what is collectively known as Persian art."
Splendors of Islam by
Since human representation is forbidden in Islamic religious monuments, design & ornamentation reach unparalleled heights in Islamic tiles, mosaics, stucco, brickwork, & ceramics, enhanced by brilliant color. The author is a distinguished scholar of Islamic art & a professor at the University of Toulouse.
Studies in Persian Art and Architecture by
This volume covers modern Iran, Afghanistan, Turkmenistan, and Uzbekistan, and contains all the major articles on Persian art and architecture published by O'Kane between 1976 and 1994. Topics include individual monuments, Persian painting, and Islamic Persia's architectural heritage.
Traditional Islamic Principles of Built Environment by
Written with the non-Muslim reader in mind, this book analyses the principles and values established by Islamic tradition to govern the social and physical environments of Muslims. The picture of Islam that emerges from this work is of a way of life with social ideals. Relying on the Qur'anand Sunna, the basic sources of Islamic law, and using examples of the built environment of early Muslims in North Africa, the Middle East, Europe and Central Asia, the author explains how following these ideals can create an urban environment that responds to social and environmental variables.Islamic views on the controversial issue of modernisation are also examined. This book will be of interest to people in the fields of urban planning, architecture, sociology, anthropology, housing and built environment, as well as Islamic studies.
The Transformation of Islamic Art During the Sunni Revival by
The transformation of Islamic architecture and ornament during the eleventh and twelfth centuries signaled profound cultural changes in the Islamic world. Yasser Tabbaa explores with exemplary lucidity the geometric techniques that facilitated this transformation, and investigates the cultural processes by which meaning was produced within the new forms. Iran, Iraq, and Syria saw the development of proportional calligraphy, vegetal and geometric arabesque, muqarnas (stalactite) vaulting, and other devices that became defining features of medieval Islamic architecture. Ultimately, the forms and themes described in this book shaped the development of Mamluk architecture in Egypt and Syria, and by extension, the entire course of North African and Andalusian architecture as well. These innovations developed and were disseminated in a highly charged atmosphere of confrontation between the Seljuk and post-Seljuk proponents of the traditionalist Sunni revival and their main opponents in Fatimid Egypt. These forms stood as visual signs of allegiance to the orthodox Abbasid caliphate and of difference from the heterodox Fatimids. Tabbaa proposes that their rapid spread throughout the Islamic world operated within a system of reciprocating, ceremonial gestures, which conveyed a new and formal language that helped negotiate the gap between the myth of a unified Sunni Islam and its actual political fragmentation. In subject matter and approach, The Transformation of Islamic Art during the Sunni Revival makes original contributions to the study of art, revealing that this relatively neglected sector of medieval art and architecture is of critical importance for reevaluating the entire field of Islamic studies. It challenges the essentialist and positivist approaches that still permeate the study of Islamic art, and offers a historical and semiotic alternative for exploring meaning within ruptures of change.
Understanding Islamic Architecture by
The ongoing debate among practitioners and in academia about the meaning and understanding of Islamic architecture will be energized by this book. It contains essays by architects and academics from various parts of the world which clarify how the carious disciplines of the design profession can be employed to build in the spirit of Islam. Divided into three sections the book covers: *meaning from Faith, which draws meaning from the Islamic faith in order to propose a built environment that is universally beneficial *analysis of History, which examines historical buildings and planning concepts, and suggest how to apply lessons learned to contemporary practice *contemporary Trends, which discusses current trends in architecture, education and socio-economic aspects of various Muslim countries. Illustrated throughout, this book will appeal to students and scholars, practising architects and planners alike.
World of Beasts: A Thirteenth-Century Illustrated Arabic Book on Animals by 
