To find works by Aphra Behn: AU: Behn, Aphra, 1640-1689
To find works about Aphra Behn (criticism): SU: Behn, Aphra, 1640-1689
The Colonial Rise of the Novel by
In this challening book, Firdous Azim, provides a feminist critique of orthodox accounts of the `rise of the novel' and exposes the underlying orientalist assumptions of the early English novel. Whereas previous studies have emphasized the universality of the coherent and consistent subject which found expression in the novels of the eighteenth century, Azim demonstrtes how certain categories: women and people of colour, were silenced and excluded. The Colonial Rise of the Novel makes an important and provocative contribution to post-colonial and feminist criticism. It will be essential reading for all teachers and students of English literature, women's studies, and post-colonial criticism.
The Female Baroque in Early Modern English Literary Culture: From Mary Sidney to Aphra Behn by
The Female Baroque is a contribution to the revival since the 1980s of early modern women's writings and cultural production in English. Its originality is twofold: it links women's writing in English with the wider context of Baroque culture, and it introduces the issue of gender into discussion of the Baroque. The title comes from Julia Kristeva's study of Teresa of Avila, that 'the secrets of Baroque civilization are female'. The book is built on a schema of recurring Baroque characteristics - narrativity, hyperbole, melancholia, kitsch, and plateauing, pointing less to surface manifestations and more to underlying ideological tensions. The crucial concept of the Female Baroque is developed in detail. Attention is then given particularly to Gertrude More, Mary Ward, Aemilia Lanyer, The Ferrar/Collet women, Mary Wroth, the Cavendish sisters, Hester Pulter, Anne Hutchinson, Margaret Cavendish and Aphra Behn, the latter two whose lives and writings point to the developing cultural transition to the Enlightenment.
Of Love and War: The Political Voice in the Early Plays of Aphra Behn by
Of Love and War: The Political Voice in the Early Plays of Aphra Behn is a study which situates Behn's early plays within their historical and political context. Behn (c.1640-1689), the first professional female playwright in England, is a fascinating study, having traveled to Surinam as a young woman, served as a spy for Charles II, and evidently supported her family through her writing, including plays, poetry, fiction, and translation. Her early plays have often been dismissed as romances, largely because they treat such social and/or gender issues as forced marriage and female desire. This study argues that these same social issues frequently serve as tropes for political commentary and propaganda in support of foreign and domestic policies. Behn's plays clearly demonstrate staunch loyalist support of the Stuart government, yet within the dramatic construction, she--like her contemporary male colleagues, offers fascinating covert political criticism.
Oroonoko, or the Royal Slave by
Aphra Behn was one of the first professional English female writers and Oroonoko was one of her earliest works. It is the love story between Oroonoko, the grandson of an African king, and the daughter of that king's general. The king takes the girl into his harem, and when she plans to escape with his grandson, sells her as a slave. When Oroonoko tries to follow her he is caught by an English slave trader and taken to the same West Indian island as his love.
Oroonoko: An Authoritative Text, Historical Backgrounds, Criticism by
The editor supplies explanatory annotations and textual notes. "Historical Backgrounds" is an especially rich collection of seventeenth-and eighteenth-century documents about colonizers and slaves in the new world. Topically arranged-"Montaigne on America," "The Settling of Surinam," "Observers of Slavery, 1654-1712," "After Oroonoko: Noble Africans in Europe," and "Opinions on Slavery"-these selections create a revealing context for Behn's unusual story. Illustrations and maps are also included. "Criticism" begins with an overview of responses to Behn and Oroonoko, from learned and popular writers of her time to Sir Walter Scott and Virginia Woolf, among others. Current critical interpretations are by William C. Spengemann, Jane Spencer, Robert L. Chibka, Laura Brown, Charlotte Sussman, and Mary Beth Rose. A Chronology of Behn's life and a Selected Bibliography are included.
The Ravishing Restoration: Aphra Behn, Violence, and Comedy by
Ann Marie Stewart is currently a professor of theatre at the University of Pittsburgh at Johnstown. She holds a BA and a MA in Theatre and English from Michigan State University, and a PhD in Theatre History from the University of Colorado at Boulder. She has also taught and directed in theatre departments at the University of Notre Dame, the University of Colorado, and Olivet College. She has published articles on Renaissance and Restoration drama, and is interested in the dramatic evolution of playwriting by British and American women throughout the centuries.
Royalist Women Writers, 1650-1689 by
Royalist Women Writers aims to put women back on the map of seventeenth-century royalist literature from which they have habitually been marginalized. Looking in detail at the work of Margaret Cavendish, Katherine Philips, and Aphra Behn, it argues that their writings inaugurate a more assertive model of the Englishwoman as literary author, which is crucially enabled by their royalist affiliations. Chalmers reveals new political sub-texts in the three writers' work and shows how these inflect their representations of gender. In this way both their texts and manner of presenting themselves as authors emerges as freshly pertinent to their male and female royalist contemporaries for whom supporting them could be an act of political self-definition.
Seductive Forms: Women's Amatory Fiction from 1684-1740 by
Historicist and feminist accounts of the rise of the novel have neglected the phenomenon of the professional woman writer in England prior to the advent of the sentimental novel in the 1740s. Seductive Forms explores the means by which the three leading Tory women novelists of the late seventeenth and early eighteenth centuries challenged and reworked both contemporary gender ideologies and generic convention. The seduction plot provided Aphra Behn, Delarivier Manley, and Eliza Haywood with a vehicle for dramatizing their own appropriation of the masculine power of fiction-making. Seduction is employed in these fictions as a metaphor for both novelistic production (the seduction of the reader by the writer) and party political machination (the seduction of the public by the politician). The book also explores the debts early prose fiction owes to French seventeenth-century models of fiction-writing and argues that Behn, Manley, and Haywood succeeded in producing a distinctively English and female form for an amatory novel.
Utopian Geographies and the Early English Novel by
Historians of the Enlightenment have studied the period's substantial advances in world cartography, as well as the decline of utopia imagined in geographic terms. Literary critics, meanwhile, have assessed the emerging novel's realism and in particular the genre's awareness of the wider world beyond Europe. Jason Pearl unites these lines of inquiry in Utopian Geographies and the Early English Novel, arguing that prose fiction from 1660 to 1740 helped demystify blank spaces on the map and make utopia available anywhere. This literature incorporated, debunked, and reformulated utopian conceptions of geography. Reports of ideal societies have always prompted skepticism, and it is now common to imagine them in the future, rather than on some undiscovered island or continent. At precisely the time when novels began turning from the fabulous settings of romance to the actual locations described in contemporaneous travel accounts, a number of writers nevertheless tried to preserve and reconfigure utopia by giving it new coordinates and parameters. Margaret Cavendish, Aphra Behn, Daniel Defoe, Jonathan Swift, and others told of adventurous voyages and extraordinary worlds. They engaged critically and creatively with the idea of utopia. If these writers ultimately concede that utopian geographies were nowhere to be found, they also reimagine the essential ideals as new forms of interiority and sociability that could be brought back to England. Questions about geography and utopia drove many of the formal innovations of the early novel. As this book shows, what resulted were new ways of representing both world geography and utopian possibility.
Utopian Negotiation: Aphra Behn and Margaret Cavendish by
Aphra Behn (1640-1689) and Margaret Cavendish (1623-1673) were two of the boldest women authors of seventeenth century England. They made gestures toward a utopian future involving female emancipation and gender agreement, but depicted a world too complex for simple answers. In the first book-length exploration of the two authors together, Holmesland reevaluates the nature of utopianism in the writings of both, considering a wide range of their literary output. Both writers try to avoid fixed positions, exploring areas in between, seeking mediating solutions through "utopian negotiation." Requiring more equal gender relations, for instance, they challenge patriarchalism; however, while seeking to redefine the heroic code of honor, idealizing gentleness in men, they call for a femininity with heroic resources. Aspiring to such ideals of male-female mutuality, both authors extend this thinking to their view of the body politic.
Versions of Blackness: Key Texts on Slavery from the Seventeenth Century by
Aphra Behn's novel Oroonoko (1688) is one of the most widely studied works of seventeenth-century literature, because of its powerful representation of slavery and complex portrayal of ways in which differing races and cultures - European, Black African, and Native American - observe and misinterpret each other. This edition presents a new edition of Oroonoko, with unprecedentedly full and informative commentary, along with complete texts of three major British seventeenth-century works concerned with race and colonialism: Henry Neville's The Isle of Pines (1668), Behn's Abdelazer (1676), and Thomas Southerne's tragedy Oroonoko (1696). It combines these with a rich anthology of European discussions of slavery, racial difference, and colonial conquest from the mid-sixteenth century to the time of Behn's death. Many are taken from important works that have not hitherto been easily available, and the collection offers an unrivaled resource for studying the culture that produced Britain's first major fictions of slavery.
Women, Accounting and Narrative: Keeping Books in Eighteenth-century England by
In the early eighteenth century, the household accountant was traditionally female. However, just as women were seen as financial accountants, they were also deeply associated with the literary and narrative accounting inherent in letters and diaries. These are examined alongside property, originality and the development of the early novel.
Women of Ideas: And what men have done to them from Aphra Behn to Adrienne Rich by
This is a study of women's thoughts and ideas spanning three centuries. The author contends that men have removed women from literary and historical records and deprived women of the knowledge of their intellectual heritage. This book is an attempt to redress the balance.
