Metamorphoses by
The epic poem by one of the canonical poets of Latin literature: "A self-conscious tour de force of poetic ingenuity" (Apollo). Through a panoply of the most famous Roman myths, Metamorphoses tells the story of the creation of the world. It is one of the most inspirational works in Western culture, stirring the imagination of such artists and writers as Mantegna, Botticelli, Titian, Velázquez, Shakespeare, and Salmon Rushdie. "It is astonishing for its sheer compendiousness. Running ab origine mundi right up to the time of Julius Caesar, Ovid's epic weaves around 250 different myths together into a single 'unbroken song.' No other classical text comes close. To medieval readers it looked like 'nothing less than the Bible and theology of the pagans'--the master key to all their culture and knowledge. . . . [Ovid's] epic is always pushing at the boundaries of what can and cannot be told; pushing his way into new methods of unfolding old tales. In its quest to do this, Ovid's narration weaves back and forth through mythic time, nesting tales within tales, and tellers of tales within tellers of tales, to the level where a given story might be occurring within as many as five sets of other stories." --Apollo "Ovid had the power to illuminate disturbing aspects of our contemporary culture. . . . In the same year that he was exiled, Ovid began the Metamorphoses, whose teeming chaos evokes the uncertain, shape-shifting mood of a country--a world--that is reimagining its sexual mores." --The New Yorker
Ovid's Metamorphoses by
One of the most influential and popular works in all literature, Ovid's "Metamorphoses" is a weaving-together of classical myths, extending in time from the creation of the world to the death of Julius Caesar. This volume provides the Latin text of the first five books of the poem and the most detailed commentary available in English for these books. In his introduction to the volume, editor William S. Anderson provides essential background information, discussing Ovid's life, the reception of the Metamorphoses during Ovid's day and after, and the poem's central issues. The Latin text of the five books is Anderson's own edition, based on years of study of the surviving manuscripts. In the extensive notes that follow the text, Anderson offers both useful summaries of the stories and detailed line-by-line comments. Unlike other epic poems, which concern wars and heroism, the Metamorphoses centers on ordinary human beings, women as well as men, who live in a world of continuous change. The first five books, which include such well-known stories as Apollo and Daphane, Diana and Actaeon, and Narcissus and Echo, deal especially with the relationship between human beings and the gods. Arrogant and lustful, but all-powerful, the gods of Ovid's universe selfishly pursue their own pleasures, frequently at the expense of their human targets. Yet these gods escape unscathed, while the humans, unjustly, are punished. Helpless to defend themselves, they are changed into animal or nonhuman forms. A resource for students and scholars of Latin, this volume enhances understanding and enjoyment of Ovid's changeable poem about our changeable existence.
Ovid, Metamorphoses, 3. 511-733: Latin Text with Introduction, Commentary, Glossary of Terms, Vocabulary Aid and Study Questions by
"This extract from Ovid's 'Theban History' recounts the confrontation of Pentheus, king of Thebes, with his divine cousin, Bacchus, the god of wine. Notwithstanding the warnings of the seer Tiresias and the cautionary tale of a character Acoetes (perhaps Bacchus in disguise), who tells of how the god once transformed a group of blasphemous sailors into dolphins, Pentheus refuses to acknowledge the divinity of Bacchus or allow his worship at Thebes. Enraged, yet curious to witness the orgiastic rites of the nascent cult, Pentheus conceals himself in a grove on Mt. Cithaeron near the locus of the ceremonies. But in the course of the rites he is spotted by the female participants who rush upon him in a delusional frenzy, his mother and sisters in the vanguard, and tear him limb from limb. The episode abounds in themes of abiding interest, not least the clash between the authoritarian personality of Pentheus, who embodies 'law and order', masculine prowess, and the martial ethos of his city, and Bacchus, a somewhat effeminate god of orgiastic excess, who revels in the delusional and the deceptive, the transgression of boundaries, and the blurring of gender distinctions. This course book offers a wide-ranging introduction, the original Latin text, study aids with vocabulary, and an extensive commentary. Designed to stretch and stimulate readers, Gildenhard and Zissos's incisive commentary will be of particular interest to students of Latin at AS and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Ovid's poetry and discussion of the most recent scholarly thought."--Publisher's website
The Student's Ovid: Selections From the Metamorphoses by Author Search: Ovid; Title search: Metamorphoses