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Anatomy of Criticism by
This volume, the twenty-second in the acclaimed Collected Works of Northrop Frye series, presents Frye's most influential work, Anatomy of Criticism (1957). In four stylish and sweeping essays, Frye attempts to formulate an overall view of the scope, principles, and techniques of literary criticism and the conventions of literature - its modes, symbols, archetypes, and genres. He makes the case for criticism as a legitimate and structured science, a science that he would go on to wield with great influence over the course of his distinguished career. Robert D. Denham's introduction to this edition examines the book's genesis, its initial reception, and its relation to Frye's other works, particularly Fearful Symmetry (Volume 14 in the series). He highlights the diagrammatic way of thinking that characterizes Frye's brand of structuralism and explores the meaning of the word 'anatomy.' Denham also provides context for the work, considering the critical tradition out of which it emerged, as well as how it relates to some of the movements that appeared after the waning of structuralism. A key volume in the Collected Works series, this annotated and expertly introduced edition of Anatomy of Criticism will be sure to satisfy Frye's many admirers.
Archetypes and Motifs in Folklore and Literature by
A presentation and discussion of the most basic thematic elements universally found in folklore and literature. The reference provides a detailed analysis of the most common archetypes or motifs found in the folklore of selected communities around the world.. Entries are keyed to the ''Motif-Index of Folk Literature'' by Stith Thompson.
A Companion to Folklore by
A Companion to Folklore presents an original and comprehensive collection of essays from international experts in the field of folklore studies. Unprecedented in depth and scope, this state-of-the-art collection uniquely displays the vitality of folklore research across the globe. An unprecedented collection of original, state of the art essays on folklore authored by international experts Examines the practices and theoretical approaches developed to understand the phenomena of folklore Considers folklore in the context of multi-disciplinary topics that include poetics, performance, religious practice, myth, ritual and symbol, oral textuality, history, law, politics and power as well as the social base of folklore Selected by Choice as a 2013 Outstanding Academic Title
The Dynamics of Folklore by
One of the most comprehensive and widely praised introductions to folklore ever written. Toelken's discussion of the history and meaning of folklore is delivered in straightforward language, easily understood definitions, and a wealth of insightful and entertaining examples. Toelken emphasizes dynamism and variety in the vast array of folk expressions he examines, from "the biology of folklore," to occupational and ethnic lore, food ways, holidays, personal experience narratives, ballads, myths, proverbs, jokes, crafts, and others. Chapters are followed by bibliographical essays, and over 100 photographs illustrate the text. This new edition is accessible to all levels of folklore study and an essential text for classroom instruction.
The European Folktale: Form and Nature by
"Niles' excellent translation should bring Lüthi's sensitive and articulate study the recognition it deserves among English readers." --Library Journal Lüthi demonstrates how the folktale, by its very distance from reality, can play upon the most important themes of human existence.
The Fairytale As Art Form and Portrait of Man by
In this major work by the distinguished Swiss folklorist Max Lüthi, the traditional fairytale is examined from two related points of view, that of aesthetics and that of anthropology. Lüthi shows that fairytales are more than just a pleasing form; they present a particular way of looking at the world and at human existence. Thus, they must be evaluated in terms of what they say about man and the human condition. This exemplary study will be read with enjoyment and profit not only by the literary scholar and folklore professional but by any reader who has ever delighted in fairytales.
Grand Theory in Folkloristics by
Why is there no "Grand Theory" in the study of folklore? Talcott Parsons (1902-1979) advocated "grand theory," which put the analysis of social phenomena on a new track in the broadest possible terms. Not all sociologists or folklorists accept those broad terms; some still adhere to the empirical level. Through a forum sponsored by the American Folklore Society, the diverse answers to the question of such a theory arrived at substantial agreement: American folklorists have produced little "grand theory." One speaker even found all the theory folklorists need in the history of philosophy. The two women in the forum (Noyes and Mills) spoke in defense of theory that is local, "apt," suited to the audience, and "humble"; the men (Bauman and Fine) reached for something Parsons might have recognized. The essays in this collection, developed from the forum presentations, defend diverse positions, but they largely accept the longstanding concentration in American folkloristics on the quotidian and local.
Handbook of American Folklore by
This book is a landmark in folklore studies in the United States. It is a virtual cornucopia of riches, and features the work of sixty scholars and practitioners, representing a multitude of approaches to the discipline.
The Hero with a Thousand Faces by
Joseph Campbell's classic cross-cultural study of the hero's journey has inspired millions and opened up new areas of research and exploration. Originally published in 1949, the book hit the New York Times best-seller list in 1988 when it became the subject of The Power of Myth, a PBS television special. The first popular work to combine the spiritual and psychological insights of modern psychoanalysis with the archetypes of world mythology, the book creates a roadmap for navigating the frustrating path of contemporary life. Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages of mythology but also its relevance to our lives today--and to the life of any person seeking a fully realized existence. Myth, according to Campbell, is the projection of a culture's dreams onto a large screen; Campbell's book, like Star Wars, the film it helped inspire, is an exploration of the big-picture moments from the stage that is our world. It is a must-have resource for both experienced students of mythology and the explorer just beginning to approach myth as a source of knowledge.
The Innateness of Myth: A New Interpretation of Joseph Campbell's Reception of C.G. Jung by
Joseph Campbell (1904-1988) was one of the most well-known and popular scholars of myth and comparative religion of the twentieth century. His work, however, has never fully received the same amount of scholarly interest and critical reflection that some of his contemporaries have received. In this book, based on extensive research in the Joseph Campbell Archive in Santa Barbara, Ritske Rensma shows that reflecting on C.G. Jung's influence on Campbell greatly furthers our understanding of these ideas, and that once this goal is achieved it becomes obvious that Campbell was a scholar whose ideas are still of significance today. Following Jung's lead, Campbell put great emphasis on the innate structures of the mind, an approach which pre-echoes the current 'evolutionary turn' in fields such as cognitive theory, psychology, psychiatry and neurobiology. This study will therefore not just be of interest to students and scholars interested in psychological approaches to the study of religion as well as Jung and Campbell, but also to those with an interest in recent developments in the above-mentioned fields
Lacan and Levi-Strauss Or Freud's Return 1951-1957 by
Lacan and Levi-Strauss are often mentioned together in reviews of French structuralist thought, but what really links their distinct projects? In this important study, Markos Zafiropoulos shows how Lacan's famous 'return to Freud' was only made possible through Lacan's reading of Levi-Strauss. Via a careful and illuminating comparison of the work of the psychoanalyst and that of the anthropologist, Zafiropoulos shows how Lacan's theories of the symbolic function, of the power of language, of the role of the father and even of the unconscious itself owe a major debt to Levi-Strauss.Lacan and Levi-Strauss is much more than an academic study of the relations between these two thinkers: it is also a superb introduction to the work of Lacan, setting out with detail and lucidity the major concepts of his work in the 1950s.
Levi-Strauss on Religion: The Structuring Mind by
Levi-Strauss, the 'father of modern anthropology', is one of the most influential thinkers of the Twentieth Century. His development of 'structuralism' - the identification of patterns of human cognition and behaviour - greatly influenced Althusser, Lacan, Foucault and Derrida. -Levi-Strauss on Religion- presents one of the only examinations of the importance of Levi-Strauss' thought and work to the study of religion. The book examines his methodology as well as his contributions to the study of kinship, totemism, and myth. The issues raised by Levi-Strauss' anthropological, political and philosophical texts are placed alongside contemporary debates in religious studies and the student is introduced to the thinkers and theories that informed his writings. This book will be invaluable to students of the anthropology and phenomenology of religion.
Linguistic and Literary Studies In Eastern Europe by
This work examines Czech Structuralism from the mid-nineteen twenties until 1948 (J. Mukaovský, R. Jakobson, F. Vodika, R. Wellek, etc.), the Polish so-called Integral School, lasting from about 1930 until 1945, (M. Kridl, K. Budzyk, F. Siedlicki, D. Hopensztand, S. kiewski), as well as R. Ingarden's views on literary criticism, i.e. that system of literary theory which together with Russian Formalism was termed "Slavic Structuralism". The whole period is examined in developmental chronology. Despite this, the goal is not a history of science, but to throw light on the system of literary criticism which Slavic Structuralism has bequeathed to us and to show to what extent and how it can be of use to us.
The Meaning of Folklore: The Analytical Essays of Alan Dundes by
The essays of Alan Dundes virtually created the meaning of folklore as an American academic discipline. Yet many of them went quickly out of print after their initial publication in far-flung journals. Brought together for the first time in this volume compiled and edited by Simon Bronner, the selection surveys Dundes's major ideas and emphases, and is introduced by Bronner with a thorough analysis of Dundes's long career, his interpretations, and his inestimable contribution to folklore studies. Runner-up, the Wayland Hand Award for Folklore and History, 2009
The Mythic Image by
A paperback edition of Campbell's major study of the mythology of the world's high civilizations over five millennia. It includes nearly 450 illustrations. The text is the same as that of the 1974 edition. Mythologist Joseph Campbell was a masterful storyteller, able to weave tales from every corner of the world into compelling, even spellbinding, narratives. His interest in comparative mythology began in childhood, when the young Joe Campbell was taken to see Buffalo Bill's Wild West Show at Madison Square Garden. He started writing articles on Native American mythology in high school, and the parallels between age-old myths and the mythic themes in literature and dreams became a lifelong preoccupation. Campbell's best-known work is The Hero with a Thousand Faces (1949), which became a New York Times paperback best-seller for Princeton in 1988 after Campbell's star turn on the Bill Moyers television program The Power of Myth. During his early years as a professor of comparative religion at Sarah Lawrence College, Campbell made the acquaintance of Indologist Heinrich Zimmer, a kindred spirit who introduced him to Paul and Mary Mellon, the founders of Bollingen Series. They chose Campbell's The Mythic Image as the culmination of the series, giving it the closing position--number one hundred. A lavishly illustrated and beautifully produced study of the mythology of the world's high civilizations, The Mythic Image received a front-cover review in the New York Times Book Review upon publication. Through the medium of visual art, the book explores the relation of dreams to myth and demonstrates the important differences between oriental and occidental interpretations of dreams and life.
Myths and Symbols in Indian Art and Civilization by
A landmark work that demystifies the rich tradition of Indian art, Myths and Symbols in Indian Art and Civilization analyzes key motifs found in legend, myth, and folklore taken directly from the Sanskrit. It provides a comprehensive introduction to visual thinking and picture reading in Indian art and thought. Ultimately, the book shows that profound Hindu and Buddhist intuitions on the riddles of life and death are universally recognizable.
Once upon a Time: On the Nature of Fairy Tales by
This first paperback edition of the seminal work by the Swiss scholar Max Lüthi will be welcomed by folklorists for its informative survey of the various ways in which fairytales and related genres (local legends and saints' lives) may be read. "Lüthi's lucid and intelligent book is refreshingly welcome." --Sewanee Review
The Power of Myth by
The Power Of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminient scholar, writer, and teacher, he has had a profound influence on millions of people. To him, mythology was the "song of the universe, the music of the spheres. With Bill Moyers, one of America's most prominent journalists, as his thoughtful and engaing interviewer, The Power Of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.
The Prague School: Selected Writings, 1929-1946 by
The Prague Linguistic Circle came into being on the afternoon of October 6, 1926, when five Czech and Russian linguists gathered to hear a lecture by a German colleague. From this international beginning, the interests of the group grew to first encompass language in all its functional heterogeneity and then finally all of culture, which the Circle conceived of as a structure of sign systems. Semiotics was thus the overarching discipline for the Prague School, serving to organize all phenomena shared and exchanged by a cultural community. In recent years increasing attention has been paid to the importance of the Prague School, but writing about it has frequently been marred by misconceptions. The central aim of this volume is to correct those misconceptions and to present the diversity of interests within the Prague School--literary criticism, linguistics, theory of theater, folklore, and philosophy. These essays by Bogatyrëv, Jakobson, Karcevskij, Mukařovský, Rieger, Vodička, and Honzl are here translated into English for the first time. Some have a special historical value in illuminating critical stages of structuralist thinking; others reveal the timeliness of the School's contributions for the theoretical conflicts of our day. Each essay is accompanied by an informative introductory note, and the whole is followed by the editor's "Postscript," tracing the roots of structuralist aesthetics.
Reading for Form by
Reflecting varieties of theory and practice in both verse and prose from the Middle Ages to the twenty-first century, these essays by many of America's leading literary scholars call for a reinvigorated formalism that can enrich literary studies, open productive routes of commerce with cultural studies, and propel cultural theory out of its thematic ruts. This book reprints Modern Language Quarterly's highly acclaimed special issue Reading for Form, along with new essays by Marjorie Perloff, D. Vance Smith, and Susan Stewart, and a revised introduction by Susan Wolfson. With historical case studies and insightful explorations, Reading for Form offers invaluable material for literary critics in all specializations.
The Russian Folktale by Vladimir Yakolevich Propp by
Vladimir Propp is the Russian folklore specialist most widely known outside Russia thanks to the impact of his 1928 book M"orphology of the Folktale"-but "Morphology" is only the first of Propp's contributions to scholarship. This volume translates into English for the first time his book "The Russian Folktale," which was based on a seminar on Russian folktales that Propp taught at Leningrad State University late in his life. Edited and translated by Sibelan Forrester, this English edition contains Propp's own text and is supplemented by notes from his students. "The Russian Folktale" begins with Propp's description of the folktale's aesthetic qualities and the history of the term; the history of folklore studies, first in Western Europe and then in Russia and the USSR; and the place of the folktale in the matrix of folk culture and folk oral creativity. The book presents Propp's key insight into the formulaic structure of Russian wonder tales (and less schematically than in "Morphology," though in abbreviated form), and it devotes one chapter to each of the main types of Russian folktales: the wonder tale, the "novellistic" or everyday tale, the animal tale, and the cumulative tale. Even Propp's bibliography, included here, gives useful insight into the sources accessible to and used by Soviet scholars in the third quarter of the twentieth century. Propp's scholarly authority and his human warmth both emerge from this well-balanced and carefully structured series of lectures. An accessible introduction to the Russian folktale, it will serve readers interested in folklore and fairy-tale studies in addition to Russian history and cultural studies.
Russian Formalism: A Metapoetics by
Russian Formalism, one of the twentieth century's most important movements in literary criticism, has received far less attention than most of its rivals. Examining Formalism in light of more recent developments in literary theory, Peter Steiner here offers the most comprehensive critique of Formalism to date. Steiner studies the work of the Formalists in terms of the major tropes that characterized their thought. He first considers those theorists who viewed a literary work as a mechanism, an organism, or a system. He then turns to those who sought to reduce literature to its most basic element--language--and who consequently replaced poetics with linguistics. Throughout, Steiner elucidates the basic principles of the Formalists and explores their contributions to the study of poetics, literary history, the theory of literary genre, and prosody. Russian Formalism is an authoritative introduction to the movement that was a major precursor of contemporary critical thought.
Russian Formalist Criticism by
The Russian formalists emerged from the Russian Revolution with ideas about the independence of literature. They enjoyed that independence until Stalin shut them down. By then, however, they had produced essays that remain among the best defenses ever written for both literature and its theory. Included here are four essays representing key points in the formalists' short history. Victor Shklovsky's pioneering "Art as Technique" (1917) defines the literary as a way to make us see familiar things as if for the first time. His 1921 essay on Tristram Shandy makes that eccentric novel the centerpiece for a theory of narrative. A section from Boris Tomashevsky's "Thematics" (1925) inventories the elements of stories. In "The Theory of the 'Formal Method'" (1927), Boris Eichenbaum defends Russian Formalism against various attacks. An able champion, he describes Formalism's evolution, notes its major figures and works, clears away decayed axioms, and rescues literature from "primitive historicism" and other dangers. These essays set a course for literary studies that led to Prague structuralism, French semiotics, and postmodern poetics. Russian Formalist Criticism has been honored as a Choice Outstanding Academic Book of the Year by the American Library Association.
Semiotics by 
The Sense of Biblical Narrative II: Structural Analyses in the Hebrew Bible by
These three studies continue the methods and aims of Volume I (1978, 2nd edn 1986), applying a structuralist method developed mainly from Claude LTvi-Strauss and A.J. Greimas to various texts and problems in the narrative sections of the Hebrew Bible. The new studies go beyond those of the previous volume, however, in two ways. They begin to take account of the deconstructive method of Derrida, the 'standing on its head' of structuralism; and they seek to make a contribution to feminist and liberation exegesis and hermeneutics. The first study is a deconstruction of Genesis 2-3, showing that the oppositions which the text purports to establish (including divine vs. human and male vs. female) are in fact assumed in advance. The second deals with the implicit political theory of the Deuteronomists, and discovers an 'indeterminate' attitude to monarchy. The third, inspired by Norman K. Gottwald and seeking, from a great methodological distance, to illuminate his problematic of Israel's origins, analyses the attitude implied by the Bible towards Transjordan and the Israelites who live there.
Structuralist Poetics: Structuralism, Linguistics, and the Study of Literature by
Combines an acute survey of structuralist literary criticism with an argument about how English and American criticism might benefit from its lessons.
Theory and History of Folklore by
The Russian folklorist Vladimir Propp published his first book, Morphology of the Folktale, in 1928. Since it was translated to English, in 1958, it has become an international bestseller and is well known as a major theoretical work in oral literature. Now, Anatoly Liberman has selected seven essays and three chapters from his later books which together reveal the full range of ProppOCOs thought in Theory and History of Folklore. This will help readers see that his work is essentially a theory of narrative. Included are the famous essay by Claude Levi-Strauss about Propp and ProppOCOs response to Levi-StraussOCOs Critique."
We Are All Cannibals by
The foremost anthropologist of the twentieth century uses compelling examples from history and contemporary life to challenge the criteria by which we judge others. Claude Lévi-Strauss measures the short distance between "complex" and "primitive" societies and finds a shared madness in the ways we enact myth, ritual, and custom.