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Abandoning Dead Metaphors: The Caribbean Phase of Derek Walcott's Poetry by
Awarded the Nobel Prize for Literature in 1992, Derek Walcott is the most important West Indian poet writing in English today, and his success has inspired many aspiring Caribbean writers. He began his career divided between his driving commitment to the revolutionary cause of his native Caribbean and his strong ties to a Western literary tradition. In his works he has studied the conflict between the heritage of European and West Indian culture. Abandoning Dead Metaphors is a critical appreciation of the works produced in Walcott's Caribbean phase (1946-1981). The poetry of this phase contains most of the seminal ideas and values that underlie his total achievement. This study closely examines Walcott's definitive use of metaphor, through which he conducts a deeply philosophical discourse focusing on the juxtaposition of his concern with a regional history of negation and his immersion in the Western literary and cultural tradition of the colonizer. Studying the works of this period also allows for a full exposure of Walcott's engagement with the landscape, culture and society of the region. Ismond's work is essential reading for students of Caribbean literature and scholars of Ne
Acolytes by
A collection of eighty all new poems, Acolytes is distinctly Nikki Giovanni, but different. Not softened, but more inspired by love, celebration, memories and even nostalgia. She aims her intimate and sparing words at family and friends, the deaths of heroes and friends, favorite meals and candy, nature, libraries, and theatre. But in between, the deep and edgy conscience that has defined her for decades shines through when she writes about Rosa Parks, hurricane Katrina, and Emmett Till's disappearance, leaving no doubt that Nikki has not traded one approach for another, but simply made room for both.
Ambition and Anxiety: Ezra Pound's Cantos and Derek Walcott's Omeros as Twentieth-Century Epics by
This comparative study investigates the epic lineage that can be traced back from Derek Walcott's Omerosand Ezra Pound's Cantosthrough Dante's Divina Commediato the epic poems of Virgil and Homer, and identifies and discusses in detail a number of recurrent key topoi. A fresh definition of the concept of genre is worked out and presented, based on readings of Homer. The study reads Pound's and Walcott's poetics in the light of Roman Jakobson's notions of metonymy and metaphor, placing their long poems at the respective opposite ends of these language poles. The notion of 'epic ambition' refers to the poetic prestige attached to the epic genre, whereas the (non-Bloomian) 'anxiety' occurs when the poet faces not only the risk that his project might fail, but especially the moral implications of that ambition and the fear that it might prove presumptuous. The drafts of Walcott's Omerosare here examined for the first time, and attention is also devoted to Pound's creative procedures as illustrated by the drafts of the Cantos. Although there has already been an intermittent critical focus on the 'classical' (and 'Dantean') antecedents of Walcott's poetry, the present study is the first to bring together the whole range of epic intertextualities underlying Omeros, and the first to read this Caribbean masterpiece in the context of Pound's achievement.
Amiri Baraka by
Amiri Baraka, formerly known as LeRoi Jones, became known as one of the most militant, anti-white black nationalists of the 1960s Black Power movement. An advocate of Black Cultural Nationalism, Baraka supported the rejection of all things white and western. He helped found and direct the influential Black Arts movement which sought to move black writers away from western aesthetic sensibilities and toward a more complete embrace of the black world. Except perhaps for James Baldwin, no single figure has had more of an impact on black intellectual and artistic life during the last forty years. In this groundbreaking and comprehensive study, the first to interweave Baraka's art and political activities, Jerry Watts takes us from his early immersion in the New York scene through the most dynamic period in the life and work of this controversial figure. Watts situates Baraka within the various worlds through which he travelled including Beat Bohemia, Marxist-Leninism, and Black Nationalism. In the process, he convincingly demonstrates how the 25 years between Baraka's emergence in 1960 and his continued influence in the mid-1980s can also be read as a general commentary on the condition of black intellectuals during the same time. Continually using Baraka as the focal point for a broader analysis, Watts illustrates the link between Baraka's life and the lives of other black writers trying to realize their artistic ambitions, and contrasts him with other key political intellectuals of the time. In a chapter sure to prove controversial, Watts links Baraka's famous misogyny to an attempt to bury his own homosexual past. A work of extraordinary breadth, Amira Baraka is a powerful portrait of one man's lifework and the pivotal time it represents in African-American history. Informed by a wealth of original research, it fills a crucial gap in the lively literature on black thought and history and will continue to be a touchstone work for some time to come.
And Still I Rise by
Maya Angelou's unforgettable collection of poetry lends its name to the documentary film about her life, And Still I Rise, as seen on PBS's American Masters. Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms, The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me. Thus begins "Phenomenal Woman," just one of the beloved poems collected here in Maya Angelou's third book of verse. These poems are powerful, distinctive, and fresh--and, as always, full of the lifting rhythms of love and remembering. And Still I Rise is written from the heart, a celebration of life as only Maya Angelou has discovered it. "It is true poetry she is writing," M.F.K. Fisher has observed, "not just rhythm, the beat, rhymes. I find it very moving and at times beautiful. It has an innate purity about it, unquenchable dignity. . . . It is astounding, flabbergasting, to recognize it, in all the words I read every day and night . . . it gives me heart, to hear so clearly the caged bird singing and to understand her notes."
Audre Lorde's Transnational Legacies by
Among the most influential and insightful thinkers of her generation, Audre Lorde (1934?1992) inspired readers and activists through her poetry, autobiography, essays, and her political action. Most scholars have situated her work within the context of the women's, gay and lesbian, and black civil rights movements within the United States. However, Lorde forged coalitions with women in Europe, the Caribbean, Canada, Australia, New Zealand, and Africa, and twenty years after her passing, these alliances remain largely undocumented and unexplored. Audre Lorde's Transnational Legacies is the first book to systematically document and thoroughly investigate Lorde's influence beyond the United States. Arranged in three thematically interrelated sections?Archives, Connections, and Work?the volume brings together scholarly essays, interviews, Lorde's unpublished speech about Europe, and personal reflections and testimonials from key figures throughout the world. Using a range of interdisciplinary approaches, contributors assess the reception, translation, and circulation of Lorde's writing and activism within different communities, audiences, and circles. They also shed new light on the work Lorde inspired across disciplinary borders. In addition the volume editors, contributors include Sarah Cefai, Cassandra Ellerbe-Dueck, Paul M. Farber, Tiffany N. Florvil, Katharina Gerund, Alexis Pauline Gumbs, Gloria Joseph, Jackie Kay, Marion Kraft, Christiana Lambrinidis, Zeedah Meierhofer-Mangeli, Rina Nissim, Chantal Oakes, Lester C. Olson, Pratibha Parmar, Peggy Piesche, Dagmar Schultz, Tamara Lea Spira, and Gloria Wekker.
Black Feeling, Black Talk, Black judgement by
Black Feeling, Black Talk/Black Judgement is one of the single most important volumes of modern African-American poetry. This book, electrifying generations with its revolutionary phrases and inspiring them with such Nikki Giovanni masterpieces as the lyrical "Nikki-Rosa" and the intimate "Knoxville, Tennessee," is the seminal volume of Nikki Giovanni's body of work. Black Feeling, Black Talk/Black Judgement made Nikki Giovanni famous in 1968, and this reissue of her classic will enthrall those who have always adored her poems--and those who are just getting to know her work. As a witness to three generations, Nikki Giovanni has perceptively and poetically recorded her observations of both the outside world and the gentle yet enigmatic territory of the self. When her poems first emerged from the Black Rights Movement in the late 1960s, she immediately became a celebrated and controversial poet of the era. Written in one of the most commanding voices to grace America's political and poetic landscape at the end of the twentieth century, Nikki Giovanni's poems embody the fearless passion and spirited wit for which she is beloved and revered. Black Feeling, Black Talk/Black Judgement is one of the single most important volumes of modern African-American poetry. This book, electrifying generations with its revolutionary phrases and inspiring them with such Nikki Giovanni masterpieces as the lyrical "Nikki-Rosa" and the intimate "Knoxville, Tennessee," is the seminal volume of Nikki Giovanni's body of work. Black Feeling Black Talk/Black Judgement made Nikki Giovanni famous in 1968, and this reissue of her classic will enthrall those who have always adored her poems-and those who are just getting to know her work. As a witness to three generations, Nikki Giovanni has perceptively and poetically recorded her observations of both the outside world and the gentle yet enigmatic territory of the self. When her poems first emerged from the Black Rights Movement in the late 1960s, she immediately became a celebrated and controversial poet of the era. Written in one of the most commanding voices to grace America's political and poetic landscape at the end of the twentieth century, Nikki Giovanni's poems embody the fearless passion and spirited wit for which she is beloved and revered. "Nikki Giovanni is sometimes gentle, sometimes angry, and always moving." --Julius Lester in The Guardian.
Blessing the Boats: New and Selected Poems 1988-2000 by
The long-awaited collection by one of the most distinguished poets working today.
Brick City Vanguard: Amiri Baraka, Black Music, Black Modernity by
Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called "the urban crisis" and a projection of a liberated black future beyond that crisis.
Chosen Poems by
Chosen Poems is also, Lorde says, ?a linguistic and emotional tour through the conflicts, fears, and hopes of the worlds I have inhabited.? Among those worlds are such earlier books as The First Cities, Cables to Rage, From a Land Where Other People Live, New York Head Shop and Museum, and Coal. ?Only the worlds of Africa scrutinized in The Black Unicorn, too complex for excerpt, have been excluded.? The volume also includes seven new poems. As Adrienne Rich has written, Lorde, ?for the complexity of her vision, for her moral courage and the catalytic passion of her language, has already become, for many, an indispensable poet.? Chosen Poems will provide for Lorde's readers, both old and new, another proof of this continuing truth.
Coal by
Coal is one of the earliest collections of poems by a woman who, Adrienne Rich writes, "for the complexity of her vision, for her moral courage and the catalytic passion of her language, has already become, for many, an indispensable poet." Marilyn Hacker captures the essence of Lorde and her poetry: "Black, lesbian, mother, urban woman: none of Lorde's selves has ever silenced the others; the counterpoint among them is often the material of her strongest poems."
Collected Poems, 1948-1984 by
This remarkable collection, which won the 1986Los Angeles Times Book Prize for Poetry, includes most of the poems from each of Derek Walcott's seven prior books of verse and all of his long autobiographical poem, "Another Life." The 1992 Nobel Laureate in Literature, Walcott has been producing--for several decades--a poetry with all the beauty, wisdom, directness, and narrative force of our classic myths and fairy tales, and in this hefty volume readers will find a full record of his important endeavor. "Walcott's virutes as a poet are extraordinary," James Dickey wrote inThe New York Times Book Review. "He could turn his attention on anything at all and make it live with a reality beyond its own; through his fearless language it becomes not only its acquired life, but the real one, the one that lasts . . . Walcott is spontaneous, headlong, and inventive beyond the limits of most other poets now writing."
The Collected Poems of Lucille Clifton 1965-2010 by
Winner of the 2013 Hurston/Wright Legacy Award for Poetry "The Collected Poems of Lucille Clifton 1965-2010 may be the most important book of poetry to appear in years."--Publishers Weekly "All poetry readers will want to own this book; almost everything is in it."--Publishers Weekly "If you only read one poetry book in 2012, The Collected Poems of Lucille Clifton ought to be it."--NPR "The 'Collected Clifton' is a gift, not just for her fans...but for all of us."--The Washington Post "The love readers feel for Lucille Clifton--both the woman and her poetry--is constant and deeply felt. The lines that surface most frequently in praise of her work and her person are moving declarations of racial pride, courage, steadfastness."--Toni Morrison, from the Foreword The Collected Poems of Lucille Clifton 1965-2010 combines all eleven of Lucille Clifton's published collections with more than fifty previously unpublished poems. The unpublished poems feature early poems from 1965-1969, a collection-in-progress titled the book of days (2008), and a poignant selection of final poems. An insightful foreword by Nobel Prize-winning author Toni Morrison and comprehensive afterword by noted poet Kevin Young frames Clifton's lifetime body of work, providing the definitive statement about this major America poet's career. On February 13, 2010, the poetry world lost one of its most distinguished members with the passing of Lucille Clifton. In the last year of her life, she was named the first African American woman to receive the $100,000 Ruth Lilly Poetry Prize honoring a US poet whose "lifetime accomplishments warrant extraordinary recognition," and was posthumously awarded the Robert Frost Medal for lifetime achievement from the Poetry Society of America. "mother-tongue: to man-kind" (from the unpublished the book of days): all that I am asking is that you see me as something more than a common occurrence, more than a woman in her ordinary skin.
Communication Images in Derek Walcott's Poetry by
This book investigates the potential purpose of recurrent communication images in the poetry of Derek Walcott. The recipient of the Nobel Prize for literature in 1992, Walcott is one of the most important postcolonial poets of the 20th century. His poetry delves into the dynamics of Caribbean marginalization and seeks to safeguard the paradigms characteristic of his island home. Several major studies have examined themes in his poetry but the images of communication in his poetics have not been explored. This book examines Walcott's poetry expressions that the poet brings into play in order to demonstrate the relevance of the Caribbean in the contemporary world--firstly through a study of communication imagery, and secondly through an examination of the conclusions he reaches through these means. The quantitative chart demonstrates that Walcott is especially reliant upon images of communication from the 1980s. Extensive textual analysis indicates that the place and contextual meaning of communication imagery, for example, page mirrors the historical plight of the Caribbean region; likewise, line expresses an identity deficit. Finally, this book validates that Walcott's extensive use of communication imagery in his poetry contributes to a fluid notion of self that embraces multiculturalism while maintaining the imaginary intact.
A Companion to Classical Receptions by 
A Companion to Twentieth-Century Poetry by 
The Crowning of a Poet's QuestDerek Walcott's Tiepolo's Hound by
This first extended study of Derek Walcott's Tiepolo's Hound (2000) defines the book as the culmination of the poetry and poetic of the Caribbean writer and Nobel Prize winner.
Derek Walcott by
Nobel Laureate Derek Walcott is one of the Caribbean's most famous writers. His unique voice in poetry, drama and criticism is shaped by his position at the crossroads between Caribbean, British and American culture and by his interest in hybrid identities and diaspora. Edward Baugh's Derek Walcott analyses and evaluates Walcott's entire career over the last fifty years. Baugh guides the reader through the continuities and differences of theme and style in Walcott's poems and plays. Walcott is an avowedly Caribbean writer, acutely conscious of his culture and colonial heritage, but he has also made a lasting contribution to the way we read and value the western literary tradition. This comprehensive survey considers each of Walcott's published books, offering a guide for students, scholars and readers of Walcott. Students of Caribbean and postcolonial studies will find this a perfect introduction to this important writer.
Derek Walcott, the Journeyman Years, Volume 2: Performing Arts by
During the same period in which Derek Walcott was pouring immense physical, emotional, and logistical resources into the foundation of a viable first-rate West Indian theatre company and continuing to write his inimitable poetry, he was also busy writing newspaper reviews, chiefly for the Trinidad Guardian. His prodigious reviewing activity extended far beyond those areas with which one might most readily associate his interests and convictions. As Gordon Rohlehr once presciently observed, "If one wants to see a quotidian workaday Walcott, one should go back to [his] well over five hundred articles, essays and reviews on painting, cinema, calypso, carnival, drama and literature," articles which "reveal a rich, various, witty and scrupulous intelligence in which generous humour counterpoints acerbity." These articles capture the vitality of Caribbean culture and shed additional light on the aesthetic preoccupations expressed in Walcott's essays published in journals. The editors have examined the corpus of Walcott's journalistic activity from its beginnings in 1950 to its peak in the early 1970s, and have made a generous selection of material from the Guardian, along with occasional pieces from such sources as Public Opinion (Kingston) and The Voice of St. Lucia (Castries). The articles in Volume 2 are organized as follows: the performing arts; general surveys of anglophone Caribbean drama, theatre, and society; festivals, theatre companies, and productions; British and American drama; dance and music theatre; Carnival and calypso; and cinema screenings in Trinidad. Volume 2 additionally contains an exhaustive annotated and cross-referenced chronological bibliography of Walcott's journalism up to 1990. The co-editor Christopher Balme has written a searching introductory essay on a central theme - here, a survey of West Indian theatre and Walcott's engagement with it, particularly the idea of a 'National Theatre', coupled with an illustrative discussion of the playwright's seminal dramatic spectacle Drums and Colours.
The Essential Etheridge Knight by
Winner of the 1987 American Book Award The Essential Etheridge Knight is a selection of the best work by one of the country's most prominent and liveliest poets. It brings together poems from Knight's previously published books and a section of new poems.
Eulogies by
Eulogies, by dramatist, poet, and commentator Amiri Baraka, is a compilation of more than thirty years of elegiac prose and oratory dedicated to such figures as James Baldwin, Miles Davis, Kimako Baraka, Dizzy Gillespie, and other inspiring African Americans, community activists, musicians, artists, and ordinary citizens.
Every Shut Eye Ain't Asleep: An Anthology of Poetry by African Americans since 1945 by
Presents the work of 35 African American poets who wrote, or are still writing, in the postwar era.
Female Subjects in Black and White: Race, Psychoanalysis, Feminism by 
Good Woman: Poems and a Memoir, 1969-1980 by
Finalist, 1988 Pulitzer Prize for Poetry. "Lucille Clifton is one of the four or five most authentic and profound living American poets."--Denise Levertov
The Heart of a Woman by
In The Heart of a Woman Maya Angelou leaves California with her son, Guy, to go to New York. There she enters the society and world of black artists and writers. Not since her childhood has she lived in an almost black environment, and she is surprised at the obsession her new friends have with the white world around them. She stays for a while with John and Grace Killens and begins to read her writing at the Harlem Writers Guild. She continues to sing, most notably at the Apollo Theatre in Harlem, but more and more she begins to take part in the struggle of black Americans for their rightful place in the world. She helps organize a benefit cabaret for the Southern Christian Leadership Conference, and then is appointed Martin Luther Kings Northern Coordinator. Shortly after that, through her friend Abbey Lincoln, she takes one of the lead parts in Genet's The Blacks (it was a remarkable cast, including Godfrey Cambridge, Roscoe Lee Brown, James Earl Jones, Cicely Tyson, Raymond St. Jacques, and Lou Gossett), and even writes music for the production. In the meantime her personal life has taken a tempestuous turn. She has left the New York bail bondsman she was intending to marry and has fallen in love with a South African freedom fighter named Vusumzi Make, who sweeps her off her feet and eventually takes her to London and then to Cairo, where, as her marriage begins to break up, she becomes the first female editor of the English-language magazine. The Heart of a Woman is filled with unforgettable vignettes of famous people, from Billie Holiday to Malcolm X, but perhaps most important is the story of Maya Angelou's relationship with her son. Because this book chronicles, finally, the joys and the burdens of a black mother in America and how the son she had cherished so intensely and worked for so devotedly finally grows to be a man.
Homegirls and Handgrenades by
A new edition of the 1985 winner of the American Book Award. Amiri Baraka called Sanchez one of the important figures in Afro-American literature. In a style that is hers alone, Sanchez brings poetry and politics together into a book whose whole is far greater than the sum of its arts. Some of the poems are plaintive, others militant, but all are significant, brilliant and original.
How Three Black Women Writers Combined Spiritual and Sensual Love : Rhetorically Transcending the Boundaries of Language (Audre Lorde, Toni Morrison, and Dionne Brand) by
This is a study of women writers of the African Diaspora and their articulation of the erotic as an important aspect of human experience beyond the limits and expectations of society. Within the imaginary scope of the works of Audre Lorde, Toni Morrison, and Dionne Brand, the erotic is made manifest through rewriting narrative and poetic form.
I Am Your Sister: Collected and Unpublished Writings of Audre Lorde by
Audre Lorde was not only a famous poet; she was also one of the most important radical black feminists of the past century. Her writings and speeches grappled with an impressive broad list of topics, including sexuality, race, gender, class, disease, the arts, parenting, and resistance, and they have served as a transformative and important foundation for theorists and activists in considering questions of power and social justice. Lorde embraced difference, and at each turn she emphasized the importance of using it to build shared strength among marginalized communities. I Am Your Sister is a collection of Lorde's non-fiction prose, written between 1976 and 1990, and it introduces new perspectives on the depth and range of Lorde's intellectual interests and her commitments to progressive social change. Presented here, for the first time in print, is a major body of Lorde's speeches and essays, along with the complete text of A Burst of Light and Lorde's landmark prose works Sister Outsider and The Cancer Journals. Together, these writings reveal Lorde's commitment to a radical course of thought and action, situating her works within the women's, gay and lesbian, and African American Civil Rights movements. They also place her within a continuum of black feminists, from Sojourner Truth, to Anna Julia Cooper, Amy Jacques Garvey, Lorraine Hansberry, and Patricia Hill Collins. I Am Your Sister concludes with personal reflections from Alice Walker, Gloria Joseph, Johnnetta Betsch Cole, Beverly Guy-Sheftall, and bell hooks on Lorde's political and social commitments and the indelibility of her writings for all who are committed to a more equitable society.
I Know Why the Caged Bird Sings by
The moving and beautiful autobiography of a talented black woman. . . . I have no words for this achievement, but I know that not since the days of my childhood . . . have I found myself so moved . . . Her portrait is a Biblical study of life in the midst of death.--James Baldwin.
In the Shadows of Divine Perfection: Derek Walcott's Omeros by
In the Shadows of Divine Perfection provides an examination of Derek Walcott's Omeros 1990)- the St. Lucian poet's longest work, and the piece that secured his Nobel Laureate-that reveals the deep-seated bond between the root narratives of ancient Greece to the cultural products and practices of the contemporary Caribbean. This book presents the first detailed reading of Walcott's highly controversial attempt to craft a Caribbean master narrative. This book also presents an overview of the poem's ideological orientation and a far-reaching critique of current postcolonial theory. Lance Callahan engages some of the most vexing problems of authenticity by reading Walcott's work alongside ancient Greek literature and culture.
The Leroi Jones/Amiri Baraka Reader by
Amiri Baraka - dramatist, poet, essayist, orator, and fiction writer - is one of the preeminent African-American literary figures of our time. The Leroi Jones/Amiri Baraka Reader provides the most comprehensive selection of Baraka's work to date, spanning almost 40 years of a brilliant, prolific, and controversial career, in which he has produced more than 12 books of poetry, 26 plays, eight collections of essays and speeches, and two books of fiction. This updated edition contains over 50 pages of previously unpublished work, as well as a chronology and full bibliography.
Living Classics: Greece and Rome in Contemporary Poetry in English by 
Love Poems by
In a career that has spanned more than a quarter century, Nikki Giovanni has earned the reputation as one of America's most celebrated and contoversial writers.Now, she presents a stunning collection of love poems that includes more than twenty new works. From the revolutionary "Seduction" to the tender new poem, "Just a Simple Declaration of Love," from the whimsical "I Wrote a Good Omelet" to the elegiac "All Eyez on U," written for Tupac Shakur, these poems embody the fearless passion and spirited wit for which Nikki Giovanni is beloved and revered. Romantic, bold, and erotic, Love Poems expresses notions of love in ways that are delightfully unexpected. Articulating in sensuous verse what we know only instinctively, Nikki Giovanni once again confirms her place as one of our nations's most distinguished poets and powerful truth-tellers. In a career that has spanned more than a quarter century, starting with her explosive early years in the Black Rights Movement, Nikki Giovanni has earned a reputation as one of America's most celebrated and controversial writers. Her mind-speaking work has made her a universal favorite and a number-one best-seller.The love poems-the revolutionary "Seduction," the whimsical "I Wrote a Good Omelet," and the tender "My House" to name just a few-are among the most beloved of all Nikki Giovanni's works. Now, Love Poems brings together these and other favorites with over twenty new poems. Romantic, bold, and erotic, Love Poems will once again confirm Nikki Giovanni's place among the country's most renowned poets and truth tellers.
Maya Angelou: A Critical Companion by
Maya Angelou's five-volume autobiography transcends the autobiographical tradition, enriching it with contemporary experience, African American vision, and female sensibility. With these five books, Angelou has created a work of epic scope that covers a quarter century of American and African American history, from the beginning of World War II to the civil rights movement. These volumes stretch over time and place, from Arkansas to Africa, as Angelou grows from a confused child in a Southern town to an accomplished adult. Throughout her life journey depicted in the autobiographies, Angelou grapples with the issues of motherhood and race and reveals the struggles of being a black mother in America, extending her perspective in the fourth and fifth volumes to encompass an African setting. A biographical chapter is enriched by an exclusive interview granted by Angelou, and a chapter on genre discusses Angelou's work in the context of the tradition of American and African American autobiography. A chapter is devoted to each of the five volumes of her serial autobiography--I Know Why the Caged Bird Sings(1970), Gather Together in My Name (1974), Singin' and Swingin' and Gettin' Merry Like Christmas(1976), The Heart of a Woman (1981), and All God's Children Need Traveling Shoes(1986). The discussion of each novel features sections on narrative point of view, plot development, character development, thematic issues, style and literary devices, and an alternate critical approach from which to read the work. A complete bibliography of Angelou's work, plus a list of reviews of each work and selected secondary critical and biographical sources, complete the work. This companion is ideal for students, teachers, and others interested in Maya Angelou, the African American experience, and the craft of autobiography.
Maya Angelou: Adventurous Spirit by
A comprehensive biographical and critical reading of the works of American poet and memoirist Maya Angelou (1928-2014). Linda Wagner-Martin covers all six of Angelou's autobiographies, as well as her essay and poetry collections, while also exploring Angelou's life as an African American in the United States, her career as stage and film performer, her thoughtful participation in the Civil Rights actions of the 1960s, and her travels abroad in Egypt, Africa, and Europe. In her discussion of Angelou's methods of writing her stunning autobiography, which began with the 1970 publication of I Know Why the Caged Bird Sings, Wagner-Martin writes about the influences of the Harlem Writers Group (led by James Baldwin, Paule Marshall, and John O. Killens) as well as Angelou's significant friendships with Malcolm X, Martin Luther King, Jr., and other leaders from both international and African American United States cultures. Crucial concepts throughout include the role of oral traditions, of song and dance, of the spiritualism of art based on religious belief, of Angelou's voiced rhythms and her polished use of dialogue to convey more abstract "meaning." Wagner-Martin shows that, viewing herself as a global citizen, Angelou never lost her spirit of adventure and discovery as well as her ability to overcome.
Mercy: Poems by
Lucille Clifton's poetry carries her deep concerns for the world's children, the stratification of American society, those people lost or forgotten amid the crushing race of Western materialism and technology. In turns sad, troubled and angry, her voice has always been one of great empathy, knowing, as she says, "the only mercy is memory." In this, her 12th book of poetry, the National Book Award-winner speaks to the tenuous relationship between mothers and daughters, the debilitating power of cancer, the open wound of racial prejudice, the redemptive gift of story-telling. "September Song," a sequence of seven poems, featured on National Public Radio, presents a modern-day Orpheus who, through her grief, attempts to heart-intelligently respond to the events of September 11th. The last sequence of poems--a tightly-woven fabric of caveats and prayers--was initially written in the 1970s, then revised and reshaped in the last few years. Lucille Clifton is an award-winning poet, fiction writer and author of children's books. Her most recent poetry book, Blessing the Boats: New and Selected Poems 1969-1999 (BOA), won the 2000 National Book Award for Poetry. Two of Clifton's BOA poetry collections, Good Woman: Poems and a Memoir 1969-1980 and Next: New Poems, were chosen as finalists for the Pulitzer Prize in 1988, while Clifton's The Terrible Stories (BOA) was a finalist for the 1996 National Book Award. Clifton has received fellowships from the NEA, an Emmy Award from the American Academy of Television Arts and Sciences, the Shelley Memorial Prize and the Charity Randall Citation. She is a Distinguished Professor of Humanities as St. Mary's College in Maryland. She was appointed a Fellow of The American Academy of Arts and Sciences, and elected as Chancellor of The Academy of American Poets in 1999. She lives in Columbia, MD.
Morning Haiku by
This new volume by the much-loved poet Sonia Sanchez, her first in over a decade, is music to the ears: a collection of haiku that celebrates the gifts of life and mourns the deaths of revered African American figures in the worlds of music, literature, art, and activism. In her verses, we hear the sounds of Max Roach "exploding in the universe," the "blue hallelujahs" of the Philadelphia Murals, and the voice of Odetta "thundering out of the earth." Sanchez sings the praises of contemporaries whose poetic alchemy turns "words into gems": Maya Angelou, Richard Long, and Toni Morrison. And she pays homage to peace workers and civil rights activists from Rosa Parks and Congresswoman Shirley Chisholm to Brother Damu, founder of the National Black Environmental Justice Network. Often arranged in strings of twelve or more, the haiku flow one into the other in a steady song of commemoration. Sometimes deceptively simple, her lyrics hold a very powerful load of emotion and meaning. There are intimate verses here for family and friends, verses of profound loss and silence, of courage and resilience. Sanchez is innovative, composing haiku in new forms, including a section of moving two-line poems that reflect on the long wake of 9/11. In a brief and personal opening essay, the poet explains her deep appreciation for haiku as an art form. With its touching portraits and by turns uplifting and heartbreaking lyrics, Morning Haiku contains some of Sanchez's freshest, most poignant work.
New World Poetics: Nature and the Adamic Imagination of Whitman, Neruda, and Walcott by
A simultaneously ecocritical and comparative study, New World Poetics plumbs the earthly depth and social breadth of the poetry of Walt Whitman, Pablo Neruda, and Derek Walcott, three of the Americas' most ambitious and epic-minded poets. In Whitman's call for a poetry of New World possibility, Neruda's invocation of an "American love," and Walcott's investment in the poetic ironies of an American epic, the adamic imagination of their poetry does not reinvent the mythical Garden that stands before history's beginnings but instead taps the foundational powers of language before a natural world deeply imbued with the traces of human time. Theirs is a postlapsarian Adam seeking a renewed sense of place in a biocentric and cross-cultural New World through language and nature's capacity for regeneration in the wake of human violence and suffering. The book introduces the environmental history of the Americas and its relationship to the foundation of American and Latin American studies, explores its relevance to each poet's ambition to recuperate the New World's lost histories, and provides a transnational poetics of understanding literary influence and textual simultaneity in the Americas. The study provides much needed in-depth ecocritical readings of the major poems of the three poets, insisting on the need for thoughtful regard for the challenge to human imagination and culture posed by nature's regenerative powers; nuanced appreciation for the difficulty of balancing the demands of social justice within the context of deep time; and the symptomatic dangers as well as healing potential of human self-consciousness in light of global environmental degradation.
Nikki Giovanni by
Twaynes United States Authors Series presents concise critical introductions to great writers and their works. Devoted to critical interpretation and discussion of an authors work, each study takes account of major literary trends and important scholarly contributions and provides new critical insights with an original point of view. An Authors Series volumeaddresses readers ranging from advanced high school students to university professors. The book suggests to the informed reader new ways of considering a writers work. A reader new to the work under examination will, after reading theAuthors Series, be compelled to turn to the originals, bringing to the reading a basic knowledge and fresh critical perspectives. Each volume features: A critical, interpretive study and explication of the authors works A brief biography of the author An accessible chronology outlining the life, work, and relevant historical background of the author Aids for further study -- complete notes and references, a selected annotated bibliography and an index A readable style presented in a manageable length
Nobody's Nation: Reading Derek Walcott by
"Nobody''s Nation" offers an illuminating look at the St. Lucian, Nobel-Prize-winning writer, Derek Walcott, and grounds his work firmly in the context of West Indian history. Paul Breslin argues that Walcott''s poems and plays are bound up with an effort to re-imagine West Indian society since its emergence from colonial rule, its ill-fated attempt at political unity, and its subsequent dispersal into tiny nation-states. According to Breslin, Walcott''s work is centrally concerned with the West Indies'' imputed absence from history and lack of cohesive national identity or cultural tradition. Walcott sees this lack not as impoverishment but as an open space for creation. In his poems and plays, West Indian history becomes a realm of necessity, something to be confronted, contested, and remade through literature. What is most vexed and inspired in Walcott''s work can be traced to this quixotic struggle. Linking extensive archival research and new interviews with Walcott himself to detailed critical readings of major works, "Nobody''s Nation" will take its place as the definitive study of the poet.
Omeros by
A poem in five books, of circular narrative design, titled with the Greek name for Homer, which simultaneously charts two currents of history: the visible history charted in events -- the tribal losses of the American Indian, the tragedy of African enslavement -- and the interior, unwritten epic fashioned from the suffering of the individual in exile.
Postcolonial Odysseys: Derek Walcott’s Voyages of Homecoming by
Postcolonial Odysseys: Derek Walcott's Voyages of Homecoming highlights the importance of the trope of voyaging in Derek Walcott's poetics, primarily as it pertains to the poet's engagement with classical verse. Focusing specifically on the engagement with Homeric myth, and The Odyssey in particular, it articulates the manner in which Walcott's postcolonial reconfigurations of epic verse both highlights the endurance of the classics as well as demonstrating how cultural practices can remake and transform ancient texts. Concomitant with the poet's presentation of self as divided, this study traces opposing forces in operation within this trope: a centrifugal force that corresponds to the outward journey away from his island home in search of greater publishing opportunities and broader readerships, and a centripetal force corresponding to the return journey, or homecoming. The enabling potential of Greek myth is marked by a similar to-ing and fro-ing in Walcott's verse as he repeatedly engages with, and simultaneously disavows, Homeric configurations. Insisting on the reciprocal nature of poetic appropriation, the act of rewriting also signalling new ways of rereading, Walcott's appropriations effectively enter into a critical dialogue with Homeric verse. Further depth to Walcott's rewriting of Homer is provided by an analysis of the mediating influence of Euro-American modernism. Through an examination of the postcolonial aftermath of modernism, it challenges the perceived exclusivity of each, illustrating this premise through case studies of Walcott's relation to both Romare Bearden and James Joyce. This study is therefore interdisciplinary and inter-artistic in nature, transgressing the borderline between poetry and prose, and that of literary and artistic disciplines. Highlighting the permeability of such boundaries, it investigates the journey of Odysseus, as prototypical wanderer, through time and space, from oral to print culture, from word to image.
Quilting: Poems, 1987-1990 by
Brilliantly honed language, sharp rhythms and striking syntax empower Lucille Clifton's personal and artistic odyssey. Hers is poetry of birth, death, children, community, history, sexuality and spirituality, and she addresses these themes with passion, humor, anger and spiritual awe.
Selected Poems by
Drawing from every stage of his career, Derek Walcott'sSelected Poemsbrings together famous pieces from his early volumes, including "A Far Cry from Africa" and "A City's Death by Fire," with passages from the celebratedOmeros and selections from his latest major works, which extend his contributions to reenergizing the contemporary long poem. Here we find all of Walcott's essential themes, from grappling with the Caribbean's colonial legacy to his conflicted love of home and of Western literary tradition; from the wisdom-making pain of time and mortality to the strange wonder of love, the natural world, and what it means to be human. We see his lifelong labor at poetic crafts, his broadening of the possibilitiesof rhyme and meter, stanza forms, language, and metaphor. Edited and with an introduction by the Jamaican poet and critic Edward Baugh, this volume is a perfect representation of Walcott's breadth of work, spanning almost half a century.
The Shadow and the Act: Black Intellectual Practice, Jazz Improvisation, and Philosophical Pragmatism by
Though often thought of as rivals, Ralph Ellison, James Baldwin, and Amiri Baraka shared a range ofa interests, especially a passion for music. Jazz, in particular, was a decisive influence on their thinking, and, as "The Shadow and the Act" reveals, they drew on their insights into the creative process of improvisation to analyze race and politics in the civil rights era. In this inspired study, Walton M. Muyumba situates them as a jazz trio, demonstrating how Ellison, Baraka, and BaldwinOCOs individual works form a series of calls and responses with each other. Muyumba connects their writings on jazz to the philosophical tradition of pragmatism, particularly its support for more freedom for individuals and more democratic societies. He examines the way they responded to and elaborated on that lineage, showing how they significantly broadened it by addressing the African American experience, especially its aesthetics. Ultimately, Muyumba contends, the trio enacted pragmatist principles by effectively communicating the social and political benefits of African Americans fully entering society, thereby compelling America to move closer to its democratic ideals.
Shake Loose My Skin by
Covering over thirty years of work, Shake Loose My Skin is a stunning testament to the literary, sensual, and political powers of the award-winning Sonia Sanchez. "This world is a better place because of Sonia Sanchez: more livable, more laughable, more manageable. I wish millions of people knew that some of the joy in their lives comes from the fact that Sonia Sanchez is writing poetry." -Maya Angelou
SOS/Calling All Black People by
This volume brings together a broad range of key writings from the Black Arts Movement of the 1960s and 1970s, among the most significant cultural movements in American history. The aesthetic counterpart of the Black Power movement, it burst onto the scene in the form of artists' circles, writers' workshops, drama groups, dance troupes, new publishing ventures, bookstores, and cultural centers and had a presence in practically every community and college campus with an appreciable African American population. Black Arts activists extended its reach even further through magazines such as Ebony and Jet, on television shows such as Soul! and Like It Is, and on radio programs. Many of the movement's leading artists, including Ed Bullins, Nikki Giovanni, Woodie King, Haki Madhubuti, Sonia Sanchez, Askia Touré, and Val Gray Ward remain artistically productive today. Its influence can also be seen in the work of later artists, from the writers Toni Morrison, John Edgar Wideman, and August Wilson to actors Avery Brooks, Danny Glover, and Samuel L. Jackson, to hip hop artists Mos Def, Talib Kweli, and Chuck D. SOS?Calling All Black People includes works of fiction, poetry, and drama in addition to critical writings on issues of politics, aesthetics, and gender. It covers topics ranging from the legacy of Malcolm X and the impact of John Coltrane's jazz to the tenets of the Black Panther Party and the music of Motown. The editors have provided a substantial introduction outlining the nature, history, and legacy of the Black Arts Movement as well as the principles by which the anthology was assembled.
The Terrible Stories: Poems by
The long-awaited tenth collection of poetry from the Shelley Memorial Prize-winning poet Lucille Clifton.
Those Who Ride the Night Winds by
Nikki Giovanni, long known as "the Princess of Black Poetry," dedicates Those Who Ride the Night Winds to "the day trippers and midnight cowboys," the ones who have devoted their lives to pushing the limits of the human condition and who have shattered the constraints of the status quo to live life as a "marvelous, transitory adventure." Included are poems about John Lennon, Martin Luther King, Jr., and Robert Kennedy, as well as friends, lovers, mothers, and the poet herself. With reverence for the ordinary and in search of the extraordinary, Those Who Ride the Night Winds is Nikki Giovanni's most accessible collection ever. She displays her passion for and connectedness to the people and places that touch her. The reissue of Nikki Giovanni's seminal 1984 collection will once again enchant those who have always loved her poems--and those who are just getting to know her work. As a witness to three generations, Nikki Giovanni has perceptively and poetically recorded her observations of both the outside world and the gentle yet enigmatic territory of the self. When her poems first emerged from the civil rights and Black Power movements in the late 1960s, she immediately became a celebrated and controversial figure. Written in one of the most commanding voices to grace America's political and poetic landscape at the end of the twentieth century, Nikki Giovanni's poems embody the fearless passion and spirited wit for which she is beloved and revered. Nikki Giovanni is our most widely read living black poet, and in her most accessible collection to date, we become aware of the poet as a human being we can relate to, someone affected by and concerned with events. The title of this collection refers to people who have tried to make changes, people who have gone against the tide, people who were unafraid to test their wings. Included are poems about John Lennon, Billie Jean King, Martin Luther King, Jr., and Robert Kennedy. There are poems about friends, lovers, mothers, and about the poet herself. Long known as the "Princess of Black Poetry," Nikki Giovanni is as alive and vibrant as ever. Her many readers will find once again in this collection the warmth, wit, passion, and caring about people that have always distinguished her work. Strong, direct, tremendously energetic, visionary, vulnerable, and real, these poems reveal a great spirit among us; a woman in her human dimension; a person all readers can identify with and believe in.
Transbluesency: The Selected Poems of Amiri Baraka/LeRoi Jones (1961-1995) by
Starting with a Preface to a Twenty Volume Suicide Note, and including many out-of-print and limited edition chapbooks and broadsides, Transbluesency: The Selected Poems of Amiri Baraka concisely illuminates Baraka's almost single-handed renovation of both the nature and form of post-WWII African American literature, and his profound influence on a generation of poets of all ethnic backgrounds.
Understanding Etheridge Knight by
Understanding Etheridge Knight introduces readers to a major--but understudied--American poet. Etheridge Knight (1931-1991) survived a shrapnel wound suffered during military service in Korea, as well as a drug addiction that led to an eight-year prison sentence, to publish five volumes of poetry and a small cache of powerful prose. His status in the front ranks of American poets and thinkers on poetry was acknowledged in 1984, when he won the Shelley Memorial Award, which had previously gone, as an acknowledgement of "genius and need," to E.E. Cummings, Gwendolyn Brooks, and W. S. Merwin. In this first book-length study of Knight and his complete body of work, Michael Collins examines the poetry of a complex literary figure who, following imprisonment, transformed his life to establish himself as a charismatic voice in American poetry and an accomplished teacher at institutions such as the University of Hartford, Lincoln University, and his own Free Peoples Poetry Workshops. Beginning with a concise biography of Knight, Collins explores Knight's volumes of poetry including Poems from Prison, Black Voices from Prison, Born of a Woman, and The Essential Etheridge Knight. Understanding Etheridge Knight brings attention to a crucial era in African American and American poetry, and to the literature of the incarcerated, while reflecting on the life and work of an original voice in American poetry.
Use Trouble by
For decades, Michael S. Harper has written poetry that speaks with many voices. His work teems with poetry configured as awe, poetry as courtship, and poetry as elegy and homage. Infused with tales and riddles, sass and satire and surprise, Harper's poetry takes the form of psalms, jazz experiments, soft serenades, and radical provocations. In Use Trouble, his first major collection since Songlines in Michaeltree, Harper renews poetry as the art of taking nothing for granted. In three groups--"The Fret Cycle," "Use Trouble," and "I Do Believe in People"--he draws on his seemingly inexhaustible resources to paint, sing, sympathize, and sorrow. Here are his tributes to his father and family, his irrepressible playfulness, and his lifelong romance between poetry and music.
Voices: Poems by
In 2007, Lucille Clifton became the first African American woman to win the Ruth Lilly Poetry Prize, one of the most prestigious American poetry awards and one of the largest literary honors for work in the English language. Clifton has also won the National Book Award in poetry for Blessing the Boats (BOA Editions, 2000), and is the only author ever to have two collections, Good Woman: Poems and a Memoir (BOA Editions, 1987) and Next: New Poems (BOA Editions, 1987), named finalists for the Pulitzer Prize in one year. In Voices, Clifton continues her celebrated aesthetic of writing poems for the disempowered and the underprivileged while finding humor and redemption among life's many hardships. This book also highlights Clifton's ability to write inventive dramatic monologues. Voices includes monologues spoken by animals, as well as by the food product spokespeople Aunt Jemima, Uncle Ben, and the apparently nameless guy on the Cream of Wheat box. "cream of wheat" sometimes at night we stroll the market aisles ben and jemima and me they walk in front humming this and that i lag behind trying to remove my chef's cap wondering what ever pictured me then left me personless rastus i read in an old paper that i was called rastus but no mother ever gave that to her son toward dawn we head back to our shelves our boxes ben and jemima and me we pose and smile i simmer to myself what is my name BOA Editions is thrilled to present the newest poetry collection by the one and only Lucille Clifton.
What the Twilight Says: Essays by
This author has been publishing incisive essays in The New York Review of Books, The New Republic, & elsewhere for more than twenty years. What the Twilight Says collects the author's outstanding contributions to form a volume of remarkable elegance, concision, & brilliance. It includes his moving & insightful examinations of the paradoxes of Caribbean culture, including his noted Nobel lecture, & his reckoning of the work & significance of such poets as Robert Lowell, Joseph Brodsky, Robert Frost, Seamus Heaney, & Ted Hughes, & of prose writers such as V. S. Naipaul & Patrick Chamoiseau. The author as a prose writer has the same lyric power & syncretic intelligence that have made him one of the major poetic voices of our time.
