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The Cambridge Introduction to F. Scott Fitzgerald by
Although F. Scott Fitzgerald remains one of the most recognizable literary figures of the twentieth century, his legendary life - including his tempestuous romance with his wife and muse Zelda - continues to overshadow his art. However glamorous his image as the poet laureate of the 1920s, he was first and foremost a great writer with a gift for fluid, elegant prose. This introduction reminds readers why Fitzgerald deserves his preeminent place in literary history. It discusses not only his best-known works, The Great Gatsby (1925) and Tender Is the Night (1934), but the full scope of his output, including his other novels and his short stories. This book introduces new readers and students of Fitzgerald to his trademark themes, his memorable characters, his significant plots, the literary modes and genres from which he borrowed, and his inimitable style.
Critical Insights: F. Scott Fitzgerald by
This volume in the Critical Insights series collects a variety of old and new essays on Fitzgerald and continues the work of rehabilitating his reputation and reexamining his work. Noble's introduction serves as a meditation on Fitzgerald's enduring relevance, pointing out how the major themes persisting across his work-wealth, success, love, youth, and tragedy-are also enduring themes within the American consciousness, and Elizabeth Gumport, writing for The Paris Review, offers a reflection on Fitzgerald's magical prose and his characters' magical thinking.
Dear Scott, Dear Zelda: The Love Letters of F. Scott and Zelda Fitzgerald by
Through his alcoholism and her mental illness, his career lows and her institutional confinement, F. Scott and Zelda Fitzgerald's devotion to each other endured for over twenty-two years. Now, for the first time, we have the story of their love in the couple's own letters.Dear Scott, Dearest Zeldaconsists of more than 75 percent previously unpublished or out-of-print letters as well as extensive narrative on the Fitzgeralds' marriage by Fitzgerald scholars Jackson R. Bryer and Cathy W. Barks.Dear Scott, Dearest Zeldafeatures black-and-white and color photographs, and a candid introduction by Eleanor Lanahan, the Fitzgeralds' granddaughter.
F. Scott Fitzgerald's Fiction: "An Almost Theatrical Innocence" by
A personal interpretation of one of America's most important writers. "Fitzgerald's work has always deeply moved me," writes John T. Irwin. "And this is as true now as it was fifty years ago when I first picked up The Great Gatsby. I can still remember the occasions when I first read each of his novels; remember the time, place, and mood of those early readings, as well as the way each work seemed to speak to something going on in my life at that moment. Because the things that interested Fitzgerald were the things that interested me and because there seemed to be so many similarities in our backgrounds, his work always possessed for me a special, personal authority; it became a form of wisdom, a way of knowing the world, its types, its classes, its individuals." In his personal tribute to Fitzgerald's novels and short stories, Irwin offers an intricate vision of one of the most important writers in the American canon. The third in Irwin's trilogy of works on American writers, F. Scott Fitzgerald's Fiction resonates back through all of his previous writings, both scholarly and poetic, returning to Fitzgerald's ongoing theme of the twentieth-century American protagonist's conflict between his work and his personal life. This conflict is played out against the typically American imaginative activity of self-creation, an activity that involves a degree of theatrical ability on the protagonist's part as he must first enact the role imagined for himself, which is to say, the self he means to invent. The work is suffused with elements of both Fitzgerald's and Irwin's biographies, and Irwin's immense erudition is on display throughout. Irwin seamlessly ties together details from Fitzgerald's life with elements from his entire body of work and considers central themes connected to wealth, class, work, love, jazz, acceptance, family, disillusionment, and life as theatrical performance.
F. Scott Fitzgerald's The great Gatsby by
A guide to reading The Great Gatsby with a critical and appreciative mind encouraging analysis of plot, style, form, and structure. Also includes background on the author's life and times, sample tests, term paper suggestions, and a reading list.
F. Scott Fitzgerald: New Perspectives by
Years after his death, F. Scott Fitzgerald continues to captivate both the popular and the critical imagination. This collection of essays presents fresh insights into his writing, discussing neglected texts and approaching familiar works from new perspectives. Seventeen scholarly articles deal not only with Fitzgerald's novels but with his stories and essays as well, considering such topics as the Roman Catholic background of The Beautiful and Damned and the influence of Mark Twain on Fitzgerald's work and self-conception. The volume also features four personal essays by Fitzgerald's friends Budd Schulberg, Frances Kroll Ring, publisher Charles Scribner III, and writer George Garrett that shed new light on his personal and professional lives. Together these contributions demonstrate the continued vitality of Fitzgerald's work and establish new directions for ongoing discussions of his life and writing.
F. Scott Fitzgerald at Work: The Making of "The Great Gatsby" by
F. Scott Fitzgerald's The Great Gatsby occupies a preeminent place in American letters. Scholars have argued that Jay Gatsby is, in fact, the embodiment of American cultural and social aspiration. Though The Great Gatsby has been studied in detail since its publication, both readers and scholars have continued to speculate about Fitzgerald's sources of inspiration. The essays in F. Scott Fitzgerald at Work examine fresh facts that illuminate the experiences and source materials upon which Fitzgerald based this quintessentially American masterpiece. They confirm author Horst Kruse's view that Fitzgerald's flights of fancy, even at their most spectacular, are firmly grounded in biographical experience as well as in the social, literary, and philosophical circumstances of his era. In the first essay, Kruse reconstructs the life story of the individual who allegedly inspired the character of Jay Gatsby: Max von Gerlach. Kruse recounts his journeys to various archives and libraries in the United States as well as in Germany to unearth new facts about the genesis of the Gatsby characters. In another journey, readers travel with Kruse to Long Island to explore its physical and moral geography in relation to Fitzgerald, specifically the role of certain elite Long Island families in the advancement of the "science of eugenics" movement. The final two essays take Kruse across the globe to various destinations to consider the broader place of The Great Gatsby in American and international intellectual history. Replete with fascinating discoveries and insights, F. Scott Fitzgerald at Work both corrects previous assumptions about The Great Gatsby and deepens our appreciation and understanding of Fitzgerald's imagination.
F. Scott Fitzgerald in Context by
The fiction of F. Scott Fitzgerald serves as a compelling and incisive chronicle of the Jazz Age and Depression Era. This collection explores the degree to which Fitzgerald was in tune with, and keenly observant of, the social, historical, and cultural contexts of the 1920s and 1930s. Original essays from forty international scholars survey a wide range of critical and biographical scholarship published on Fitzgerald, examining how it has evolved in relation to critical and cultural trends. The essays also reveal the micro-contexts that have particular relevance for Fitzgerald's work - from the literary traditions of naturalism, realism, and high modernism to the emergence of youth culture and prohibition, early twentieth-century fashion, architecture and design, and Hollywood - underscoring the full extent to which Fitzgerald internalized the world around him.
F. Scott Fitzgerald in the Twenty-First Century by
This thought-provoking collection explores significant new facets of an American author of lasting international stature. As the author of some of the most compelling short stories ever written, two of the central novels in American literature, and some of the most beautiful prose ever penned, F. Scott Fitzgerald is read and studied all over the world. Sixty-two years after his death, his works--protean, provocative, multilayered, and rich--continue to elicit spirited responses. This collection grew out of the F. Scott Fitzgerald Conference that convened in Princeton at the centennial of this author's birth. Bringing together dozens of the world's leading scholars and commentators, the conference and the book celebrate the ever-growing legacy of Fitzgerald's art. The subjects of these 19 essays reflect the contributors' wish to shine new light on less-frequently discussed aspects of Fitzgerald's work. Topics include Fitzgerald's Princeton influences and his expression of Catholic romanticism; his treatments of youth culture, the devil, and waste; parallels in the work of Mencken, Cather, and Murakami; and the ways gender, pastoral mode, humor, and the Civil War are variously presented in his work. One illustrated summary examines Fitzgerald's effect on popular culture through his appearance in the comics. Two broad overviews--one on Fitzgerald's career and another on the final developments in the author's style--round out the collection. The international scope of the contributors to this volume reflects Fitzgerald's worldwide reputation and appeal. With extensive treatments of This Side of Paradise, The Beautiful and Damned, The Last Tycoon, and the Pat Hobby stories, this collection makes an unusual and significant contribution to the field of Fitzgerald studies.
Fitzgerald's the Great Gatsby by
Reader's Guides provide a comprehensive starting point for any advanced student, giving an overview of the context, criticism and influence of key works. Each guide also offers students fresh critical insights and provides a practical introduction to close reading and to analysing literary language and form. They provide up-to-date, authoritative but accessible guides to the most commonly studied classic texts. The Great Gatsby (1925) is a classic of modern American literature and is often seen as the quintessential novel of 'the jazz age'. This is the ideal guide to the text, setting The Great Gatsby in its historical, intellectual and cultural contexts, offering analyses of its themes, style and structure, providing exemplary close readings, presenting an up-to-date account of its critical reception and examining its afterlife in literature, film and popular culture. It includes points for discussion, suggestions for further study and an annotated guide to relevant reading.
Fitzgerald's The great Gatsby: The Novel, the Critics, the Background by
Fitzgerald's classic about the shallow existence of the idle rich is accompanied by biographical information on the author, critical reviews of the novel, and historical and social writings of the era. Bibliogs.
Fitzgerald, Hemingway, and the Twenties by
A noted scholar offers fresh ways of looking at two legendary American authors. Both F. Scott Fitzgerald and Ernest Hemingway came into their own in the 1920s and did some of their best writing during that decade. In a series of interrelated essays, Ronald Berman considers an array of novels and short stories by both authors within the context of the decade's popular culture, philosophy, and intellectual history. As Berman shows, the thought of Fitzgerald and Hemingway went considerably past the limits of such labels as the Jazz Age or the Lost Generation. Both Fitzgerald and Hemingway were avid readers, alive to the intellectual currents of their day, especially the contradictions and clashes of ideas and ideologies. Both writers, for example, were very much concerned with the problem of untenable belief--and also with the need to believe. In this light, Berman offers fresh readings of such works as Fitzgerald's The Great Gatsby, "Bernice Bobs Her Hair," and "The Diamond as Big as the Ritz" and Hemingway's "The Killers," A Farewell to Arms, and The Sun Also Rises. Berman invokes the thinking of a wide range of writers in his considerations of these texts, including William James, Alfred North Whitehead, Walter Lippman, and Edmund Wilson. Berman's essays are driven and connected by a focused line of inquiry into Fitzgerald's and Hemingway's concerns with dogma both religious and secular, with new and old ideas of selfhood,and, particularly in the case of Hemingway, with the way we understand, explain, and transmit experience.
Gatsby: The Cultural History of the Great American Novel by
In 1925, F. Scott Fitzgerald produced his third novel, a slim work for which he had high expectations. Despite such hopes, the novel received mixed reviews and lackluster sales. Over the decades, however, the reputation of The Great Gatsby has grown and millions of copies have been sold. One of the bestselling novels of all time, it is also considered one of the most significant achievements in twentieth-century fiction. But what makes Gatsby great? Why do we still care about this book more than eighty-five years after it was published? And how does Gatsby help us make sense of our own lives and times?In Gatsby: The Cultural History of the Great American Novel, Bob Batchelor explores the birth, life, and enduring influence of The Great Gatsby from the book s publication in 1925 through today s headlines filled with celebrity intrigue, corporate greed, and a roller-coaster economy. A cultural historian, Batchelor explains why and how the novel has become part of the fiber of the American ethos and an important tool in helping readers to better comprehend their lives and the broader world around them. A biography of F. Scott Fitzgerald s masterpiece, this book examines The Great Gatsby s evolution from a nearly-forgotten 1920s time capsule to a revered cultural touchstone. Batchelor explores how this embodiment of the American Dream has become an iconic part of our national folklore, how the central themes and ideas emerging from the book from the fulfillment of the American Dream to the role of wealth in society resonate with contemporary readers who struggle with similar uncertainties today. By exploring the timeless elements of reinvention, romanticism, and relentless pursuit of the unattainable, Batchelor confirms the novel s status as The Great American Novel and, more importantly, explains to students, scholars, and fans alike what makes Gatsby so great. "
The Great Gatsby by
This Study and Revise guide: Increases students' knowledge of The Great Gatsby as they progress through the detailed commentary and contextual information written by experienced teachers and examiners Develops understanding of characterisation, themes, form, structure and language, equipping students with a rich bank of textual examples to enhance their coursework and exam responses - Builds critical and analytical skills through challenging, thought-provoking questions and tasks that encourage students to form their own personal responses to the text - Extends learning and prepares students for higher-level study by introducing critical viewpoints, comparative references to other literary works and suggestions for independent research - Helps students maximise their exam potential using clear explanations of the Assessment Objectives, sample student answers and examiner insights - Improves students' extended writing techniques through targeted advice on planning and structuring a successful essay
The Great Gatsby, by F. Scott Fitzgerald by
This volume of criticism begins with essays that provide the reader with cultural, historical, comparative, and critical contexts for understanding Gatsby. Several essays consider the cultural and historical contexts of Fitzgerald's work while critical comparisons link the novel to the poetry of Keats and the novels Daisy Miller and Passing.
The great Gatsby, F. Scott Fitzgerald: Study and Revise for AS/A Level by
For study or revision, these guides are the perfect accompaniment to the set text, providing invaluable background and exam advice. Philip Allan Literature Guides (for A-level) offer succinct and accessible coverage of all key aspects of the set text and are designed to challenge and develop your knowledge, encouraging you to reach your full potential. Each full colour guide: - Gives you the confidence that you know your set text inside out, with insightful coverage for you to develop your understanding of context, characters, quotations, themes and style - Ensures you are fully prepared for your exams: each guide shows you how your set text will be measured against assessment objectives of the main specification - Develops the skills you need to do well in your exams, with tasks and practice questions in the guide, and lots more completely free online, including podcasts, glossaries, sample essays and revision advice at www.philipallan.co.uk/literatureguidesonline
The Great Gatsby The Limits Of Wonder by
In this study Richard Lehan argues that The Great Gatsby is one of the greatest American novels, crafted of rich symbolism and a narrative style that reflects the moral ambiguity of the 1920s period it depicts.
New Essays on the Great Gatsby by
The introduction to this volume charts the fortunes of The Great Gatsby from its mixed reception and disappointing sales on publication in 1925, through its increasing popularity in the 1940s, to its critical and popular elevation from the standing of an important 'period piece' to that of an undisputed classic of American literature. Of the five essays that follow, one traces this revival in greater detail, and another sets the book in the context of the perennial quest for the 'great American novel'. Two other essays examine the central from the perspective of a practising contemporary novelist.
The Resisting Reader: A Feminist Approach to American Fiction by
See chapter 3: The Great Gatsby: Fitzgerald's droit de seigneur
Translating Modernism by
In Translating Modernism Ronald Berman continues his career-long study of the ways that intellectual and philosophical ideas informed and transformed the work of America's major modernist writers. Here Berman shows how Fitzgerald and Hemingway wrestled with very specific intellectual, artistic, and psychological influences, influences particular to each writer, particular to the time in which they wrote, and which left distinctive marks on their entire oeuvres. Specifically, Berman addresses the idea of "translating" or "translation"--for Fitzgerald the translation of ideas from Freud, Dewey, and James, among others; and for Hemingway the translation of visual modernism and composition, via Cézanne. Though each writer had distinct interests and different intellectual problems to wrestle with, as Berman demonstrates, both had to wrestle with transmuting some outside influence and making it their own.
