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The Heavenly Court: Daoist Temple Painting in China, 1200-1400 by
This book offers a comprehensive investigation into the history, iconography, ritual context, design, and personalisations by patrons of four Daoist temple paintings depicting a theme called Heavenly Court painting (chaoyuan tu) in China of the thirteenth and fourteenth centuries.
Wisdom Embodied by
The Metropolitan Museum’s collection of Chinese Buddhist and Daoist sculpture is the largest in the Western world. In this lavish, comprehensive volume, archaeological discoveries and scientific testing and analysis serve as the basis for a reassessment of 120 works ranging in date from the fourth to the twentieth century, many of them previously unpublished and all of them newly and beautifully photographed. An introductory essay provides an indispensable overview of Buddhist practices and iconography—acquainting us with the panoply of past, present, and future Buddhas, bodhisattvas, monks and arhats, guardians and adepts, pilgrims and immortals—and explores the fascinating dialogue between Indian and Chinese culture that underlies the transmission of Buddhism into China. In addition to detailed individual discussions of fifty masterpieces—a heterogeneous group including portable shrines carved in wood, elegant bronze icons, monumental stone representations, colorful glazed-ceramic figures, and more—the catalogue presents a ground-breaking survey of the methods used in crafting the sculptures. A second introductory essay and several technical appendices address the question of how early Chinese bronzes, as opposed to those from Gandhara and other westerly regions, were cast; the construction methods used for wood sculptures in China, notably different from those used in Japan; the complex layers of color and gilding on works in all media and their possible significance; and the role of consecratory deposits in wood and metal sculptures. A final appendix publishes the results of an intensive study of the wood material in the collection, classifying every sculpture by the genus of its wood and including a section of photomicrographs of each wood sample—an invaluable resource for researchers continuing to study works of this genre. As illuminating for new enthusiasts of Chinese Buddhist art as for scholars and connoisseurs, Wisdom Embodied is a glorious tour of the Metropolitan’s unparalleled collection, certain to earn its place as a classic in the field.
The Cambridge Chaucer Companion by
The Cambridge Chaucer Companion contains a series of essays by internationally known Chaucer experts, designed to provide a challenging introduction to the poet. The collection is divided between pieces which concentrate squarely on one or more of Chaucer's major poems, identifying themes, styles, moods and tones, and pieces of wider scope which give more general information about Chaucer's literary sources and historical background, or study his experiments with style and structure over a range of poems, or set his works in the context of medieval genres and literary traditions. While introducing a work or works to the reader, these essays also adopt fresh and rigorous lines of critical enquiry which will encourage him or her to develop and place his or her own interpretations. Taken as a whole, the collection establishes a context for Chaucer, discusses the significance of his position within it, and applies to his poetry detailed and frequently innovative analysis. These three functions combine to provide what should become a standard work of reference for students as well as readers who already have some familiarity with Chaucer but wish to achieve a greater understanding of this major English poet and his oeuvre.
The Canterbury Tales by
Beyond all doubt the greatest work of English literature before Shakespeare, Chaucer's The Canterbury Tales brings together an unforgettable group of pilgrims on their way to Canterbury, pilgrims who came from all ranks of society, from the crusading Knight and burly Miller to the worldly Monk and the famously lusty Wife of Bath. Their tales are as various as the tellers, including romance, bawdy comedy, beast fable, learned debate, parable, and Eastern adventure. The resulting collection gives us a set of characters so vivid that they have often been taken as portraits from real life, and a series of stories as hilarious in their comedy as they are affecting in their tragedy. Even after 600 years, their account of the human condition is fresh and true. David Wright's verse translation has long been admired for its brilliance and fidelity. This new edition adds representative passages from the important but overlooked prose tales, Melibee and the Parson's Tale, in new translations by Christopher Cannon, who also provides a new critical introduction and invaluable notes.
The Canterbury Tales by
A group of pilgrims bound for Canterbury Cathedral agree to pass the weary miles by taking turns at storytelling -- thus begins English literature's greatest collection of chivalric romances, bawdy tales, fables, legends, and other stories. The 14th-century pilgrims represent a range of philosophies, professions, and temperaments, and their vivid, realistic characterizations assured the "Tales "an instant and enduring success. Each pilgrim's story can be read separately and appreciated in its own right; all appear here in a lucid translation into modern English verse by J. U. Nicholson.
The Canterbury Tales, by Geoffrey Chaucer by
The essays in this set discuss several individual tales, including the Knight's Tale, the recurring use of irony in The Merchant's Tale, a feminist reading of The Wife of Bath's Tale, the idea of gender and eroticism in The Miller's Tale, and the anti-semitism and representation of the Jews in The Prioress' Tale.
Chaucer: The Canterbury Tales by
This introductory guide places the Canterbury Tales in the context of the crisis in English society in the fourteenth century. It examines the social diversity of Chaucer's pilgrims, the stylistic range of their tales and the psychological richness of their interaction. The volume offers students a clear image of the powerful representation of the social reality that makes the Canterbury Tales one of the most important texts in English literature. Emphasis is placed on the language of the poem, the place of Chaucer in subsequent literary tradition, and an entire chapter is devoted to the General Prologue which is widely studied on undergraduate courses. Finally, the volume offers a helpful chronology of the period and an invaluable guide to further reading.
Chaucer and the Energy of Creation: The Design and the Organization of the Canterbury Tales by 
Chaucer Criticism: An Anthology by
Eighteen varied yet strikingly complementary approaches to The Canterbury Tales challenge the reader to fuller appreciation of Chaucer?s art both in its formal aspects and in its larger human implications. Numerous artistic and historical problems are treated in these essays, including the narrative point of view established by Chaucer the pilgrim, the possible architectonic function of The Parson?s Tale, the medieval controversy over the friars, the pronouncements of the medieval church on the Jews, and the socio-economic background of the fourteenth century. This anthology is distinct not only because of the excellence of individual selections but also in the fact that the selections, though diverse in origin and approach, together contribute to a unifying view of the Canterbury Tales and to a just evaluation of Chaucer?s full stature among the giants of literature.
A Companion to Chaucer's Canterbury Tales by
This do-it-yourself course for the first-time Chaucer reader is geared specifically to high school and undergraduate students because it systematically proceeds through a clear explication of each tale and makes the tales accessible to those unfamiliar with Chaucer's work. Reading this book along with Canterbury Tales, tale by tale, will help the reader to understand and appreciate each tale, Chaucer's world, and his language. This book differs from other guides to the tales because it takes the reader along on the pilgrimage through each tale and assumes no previous experience with Chaucer's work. Middle English and modern English paraphrases of passages from the tales are arranged together for the ease of the novice. Whether the reader is seeking assistance with a single tale or with the whole work, this companion provides a level of instruction appropriate for high school and college courses. In individual essays, Hallissy introduces the literary pilgrim to Chaucer the writer, his world, and his language. An explicatory essay is provided for the General Prologue and for each major tale_the Knight, the Miller, the Reeve, the Man of Law, the Wife of Bath, the Friar, the Summoner, the Clerk, the Merchant, the Franklin, the Physician, the Pardoner, the Shipman, the Prioress, the Nun's Priest, the Second Nun, the Canon's Yeoman, and the Manciple. Six lesser-read tales are treated in an appendix. The tales are interpreted in terms of key patterns of medieval thought that Chaucer shared with his original audience. Hallissy's style is clear, readable, and jargon-free. Explications are thorough and consistent, and connections are drawn between the tales. Medieval visual images illuminate the text amd suggestions for further reading have been selected specifically for high school and undergraduate students. This work can be used as a reference volume for a reader interested in a single tale or for the entire Canterbury Tales and will be of great value to high school and college students reading Chaucer's work for the first time, as well as to high school teachers preparing for classes.
Gender and Language in Chaucer by
"Builds expertly and significantly on several earlier feminist analyses of Chaucer's works. . . . An important addition to the growing body of work devoted to Chaucer and gender. . . . One of the real strengths of this work is the way in which it ties medieval notions of gender both to ancient, Aristotelian views and to modern and postmodern feminist theories."--Laura Howes, University of Tennessee, Knoxville "A seminal critical text in Chaucer and medieval studies. . . . Thoroughly enjoyable."--Liam Purdon, Doane College, Crete, Nebraska Catherine S. Cox considers the significance of gender in relation to language and poetics in Chaucer's writing. Examining selections from "The Canterbury Tales, Troilus and Criseyde, The Legend of Good Women," and the ballades, she explores Chaucer's concern with gender and language both within the context of fourteenth-century culture and in light of contemporary feminist and poststructuralist theory. Cox argues that Chaucer's attention to gender and language exposes the contradictory notions of woman in medieval culture. Further, resisting the imposition of modern, reductive theoretical concerns on medieval authors, Cox makes a compelling case for a Chaucer who both confirms and challenges the orthodoxy of his day, thereby countering recent arguments that insist upon a wholly feminist or wholly patriarchal Chaucer. Informed by a broad range of traditional literary and historical scholarship (including Aristotelian philosophy, medieval Latin culture, and the writings of the Church fathers) as well as by recent psychoanalytical debates related to postmodern feminist critical theory (including those of Luce Irigaray, Julia Kristeva, and feminist film theorists), Cox's study demonstrates the significant interplay among ancient, medieval, and modern issues of scholarship and learning. Catherine S. Cox is assistant professor of English at the University of Pittsburgh, Johnstown, and the author of articles on Dante, Henryson, and other medieval writers.
Geoffrey Chaucer by
User's guide -- A comprehensive biography of the poet -- Detailed thematic analysis of each poem -- Extracts from major critical essays that discuss important aspects of each poem -- A complete bibliography of the writer's poetic works -- A list of critical works about the poet and his works -- An index of themes and ideas in the author's work
The Importance of Chaucer by
In this fresh and innovative approach, John H. Fisher eloquently explains Chaucer s importance to Western culture. English literature begins with Chaucer. The first writer to demonstrate that English was as effective a medium for literature as Latin or French, Chaucer introduced realism, satire, and humor into English writing. In examining Chaucer s cultural importance, however, Fisher ventures beyond literary excellence, basing his cultural interpretation on inferences about Chaucer s domestic life, about his possible experience in the inns of chancery and inns of court, and about the possibility that Henry V and the Lancastrian government sought deliberately to promote Chaucer s poems as models of what could be accomplished in the vernacular. Fisher s willingness to boldly infer from the scant evidence available allows him to place Chaucer in the poet s, and our, culture in a way he has not been placed before. By attributing to Chaucer innovations to which other writers have only alluded, and by reaching conclusions which others have been hesitant to approach, Fisher presents an interpretation at once controversial, engaging, and informative."
An Introduction to Geoffrey Chaucer by
Geoffrey Chaucer is widely considered the father of English literature. This introduction begins with a review of his life and the cultural milieu of fourteenth-century England and then expands into analyses of such major works as The Parliament of Fowls, Troilus and Criseyde, and, of course, the Canterbury Tales, examining them alongside a selection of lesser known verses.
The Life of Geoffrey Chaucer by
This important new critical biography traces in carefully considered detail what is known of Geoffrey Chaucer's personal life while exploring the fascinating relationship between the man of affairs, who made so many 'improvisations and accommodations' to ensure his own survival, and the poet. A major reexamination of England's greatest narrative poet, it is supplemented with reproductions of Chaucer portraits and other illustrations, including maps of medieval England.
The Oxford Companion to Chaucer by
With over 2,000 entries from an international team of scholars, this new Oxford Companion provides a wealth of clear, up-to-date assessments on all aspects of Chaucer. Entries, both short and long, from 'Aaron' to 'Zodiac', provide information on Chaucer's life and times, his works and thecharacteristics in them, his language and metre, his reading and the creative uses he made of it, and on his major moral and literary themes. Extensive reference is also made to the development of critical opinion about his works over the centuries. Complete with a chronology, a note to readers,illustrations, and extensive cross-referencing, this is a fascinating, practical guide to readers of Chaucer at every level.
Signs and Symbols in Chaucer's Poetry by
Innovative and thorough, Signs and Symbols in Chaucer's Poetry presents nine essays that reexamine the literary iconography of Middle English. Chaucer's work is the most well-known, and possibly the most significant, remnant of the Middle Ages; investigations into his writing and meanings are fruitful even today. The essays collected by John P. Hermann and John J. Burke Jr. invite scholars to consider new interpretations of old symbols while acknowledging the intricacies of historical context. Each highly distinguished scholar responds to D. W. Robertson's seminal, if controversial, approach to Chaucer's work. Robertson's scholarship, which also provides the opening essay of the collection, uses a historicist approach to contextualize Chaucer's imagery within the literary and cultural conventions of the Middle Ages. Sources for such contextualization include etymology, topology, the classics, pictorial art, the Bible, and the developing sciences of the time. Robertson, as well as his contemporary Bernard F. Huppé, provided a fascinating new direction for modern Chaucer studies that focused on daily life. Each essay uses this approach to draw attention to various examples of Chaucer's iconography. The texts span several of Chaucer's works and a plethora of subjects, including music, disappointed expectations, repeated or conflicting signs, and more. This volume provides insight into Chaucer's work as well as the Middle Ages as a whole, examining conventions and expectations of society at that time. Scholars, instructors, and lovers of Chaucer will all find value in this finely edited collection.
A Chinese Reading of the Daodejing: Wang Bi's Commentary on the Laozi with Critical Text and Translation by
Many of the brightest Chinese minds have used the form of the commentary to open the terse and poetic chapters of the Laozi to their readers and also to develop a philosophy of their own. None has been more sophisticated, philosophically probing, and influential in the endeavor than a young genius of the third century C.E., Wang Bi (126-249). In this book, Rudolf G. Wagner provides a full translation of the Laozi that extracts from Wang Bi's Commentary the manner in which he read the text, as well as a full translation of Wang Bi's Commentary and his essay on the "subtle pointers" of the Laozi. The result is a Chinese reading of the Laozi that will surprise and delight Western readers familiar with some of the many translations of the work.
The Craft of a Chinese Commentator: Wang Bi on the Laozi by 
Creativity and Taoism: A Study of Chinese Philosophy, Art and Poetry by
In Creativity and Taoism, Chang Chung-yuan makes the elusive principle of Tao available to the western mind with objectivity, warmth, and depth of insight. It is an important contribution to the task of making the Taoist wisdom accessible to the western intellect' - Ira Progoff 'No one can read Chang's book without experiencing a broadening of his mental horizons' - John C. H. Wu, Philosophy East and West 'His interpretation of the Taoist roots of Ch'an has been presented with taste and learning that help to clear up many questions that must have occurred to anyone familiar with his subject. "The Spirit of the Valley" dwells in this quiet and gentle man who, as so rarely happens, actually embodies some of the philosophic traits of which he writes' - Gerald Sykes 'If the end of reading is the enhancement of life, the enlargement of experience and understanding, then this book becomes an important step in that direction. Dr. Chang writes in a style both lucid and felicitous. He displays with becoming modesty a mastery of the field, its development and its ideas... There is hardly a page which does not give pleasure' - Robert R. Kirsh, Los Angeles Times 'Professor Chang's study, a brilliant exposition and analysis, is concerned with the relevance and applicability of the Taoist view in Chinese artistic and intellectual creativity. Few other works facilitate so sensitive an understanding of creative impulse and expression in Chinese culture' - Hyman Kublin, Library Journal Simultaneously accessible and scholarly, this classic book considers the underlying philosophy and the aesthetics of Chinese art and poetry, the expression of the Taoist approach to existence. Chapters cover everything from the potential of creativity to the way tranquillity is reflected in Chinese poems and painting. Chung-yuan Chang's deceptively simple and always lucid narrative explores the relationship between the Tao and the creative arts, introducing classic paintings and poems to bring Taoism to life.
Daodejing by
'Of ways you may speak,but not the Perennial Way;By names you may name,but not the Perennial Name.'The best-loved of all the classical books of China and the most universally popular, the Daodejing or Classic of the Way and Life-Force is a work that defies definition. It encapsulates the main tenets of Daoism, and upholds a way of being as well as a philosophy and a religion. The dominant imageis of the Way, the mysterious path through the whole cosmos modelled on the great Silver River or Milky Way that traverses the heavens. A life-giving stream, the Way gives rise to all things and holds them in her motherly embrace. It enables the individual, and society as a whole, to harmonize thedisparate demands of daily life and achieve a more profound level of understanding.This new translation draws on the latest archaeological finds and brings out the word play and poetry of the original. Simple commentary accompanies the text, and the introduction provides further historical and interpretative context.
Dao de Jing by
Dao De Jing is one of the richest, most suggestive, and most popular works of philosophy and literature. Composed in China between the late sixth and the late fourth centuries b.c., its enigmatic verses have inspired artists, philosophers, poets, religious thinkers, and general readers down to our own times. This new translation, both revelatory and authentic, captures much of the beauty and nuance of the original work. In an extensive and accessible commentary to his translation, Moss Roberts reveals new depths of Dao De Jing. This edition is distinguished by the literary quality of the translation, its new renderings for a number of the stanzas, and by Roberts's knowledgeable contextualizations. Utilizing recently discovered manuscripts and Chinese scholarship based on them, he is able to shed new light on the work's historical and philosophical contexts. This translation shows that Dao De Jing is far more than a work of personal inspiration; it is also a work of universal scope that makes penetrating comments on politics, statecraft, cosmology, aesthetics, and ethics. Roberts brings these themes to our attention, shows how they are integrated into the work as a whole, and demonstrates the relevance of these topics for our own times.
Daoism Explained: From the Dream of the Butterfly to the Fishnet Allegory by
Hans-Georg Moeller has achieved the perfect blend with Daoism Explained. It is both a fascinating introduction on Daoist thought as well as an original and insightful contribution to Eastern philosophy. This book will take the place of The Tao of Pooh by Hoff. Like that book, Doaism Explained offers a comprehensive presentation of Daoist philosophy that is interesting and easy to follow. The study sheds new light on many Doaist allegories by showing how modern translations often concealed the original wit and humor of the Chinese original, or imposed alien philosophical frameworks on them. It attempts to take away the metaphysical and Christian disguises with which Daoist philosophy has been obscured by Western interpretations in the past 100 years.
Daoist Identity: History, Lineage, and Ritual by 
A Daoist Theory of Chinese Thought: A Philosophical Interpretation by
This ambitious book presents a new interpretation of Chinese thought guided both by a philosopher's sense of mystery and by a sound philosophical theory of meaning. That dual goal, Hansen argues, requires a unified translation theory. It must provide a single coherent account of the issuesthat motivated both the recently untangled Chinese linguistic analysis and the familiar moral-political disputes. Hansen's unified approach uncovers a philosophical sophistication in Daoism that traditional accounts have overlooked.
Decoding Dao by
Written by a leading authority on Chinese philosophy, "Decoding Dao" uniquely focuses on the core texts in Daoist philosophy, providing readers with a user-friendly introduction that unravels the complexities of these seminal volumes.Offers a detailed introduction to the core texts in Daoist philosophy, the "Dao De Jing" and the "Zhuangzi," two of the most widely read - and most challenging - texts in China's long literary historyCovers the three main ways the texts can be read: as religious, mystical, and philosophical worksExplores their historical context, origins, authorship, and the reasons these seminal texts came into being, along with the key terms and approaches they takeExamines the core philosophical arguments made in the texts, as well as the many ways in which they have been interpreted, both in China itself and in the WestProvides readers with an unrivalled insight into the multifaceted philosophy of Daoism - and the principles underlying much of Chinese culture - informed by the very latest academic scholarship
Early Daoist Scriptures by
"A work of historic proportions. . . . A whole new world of ancient religious life is being opened to us here, and readers can trust Bokenkamp to guide them through that world."--Russell Kirkland, University of Georgia "Bokenkamp, whose previous works on Daoism are already deservedly well known and appreciated, presents complete translations of six major Daoist texts. His introductions to each of them delineate and elucidate some points of both the history and fundamental notions of Daoism, which so far have remained unclear or subject to debate. This book will undoubtedly provide a better understanding of Daoism."--Isabelle Robinet, author of "Taoist Meditation: The Mao-shan Tradition of Great Purity
From Destiny to Dao: A Survey of Pre-Qin philosophy in China by
From Destiny to Dao: A Survey of Pre-Qin Philosophy in China surveys the prominent schools of thought in Pre-Qin China -- Daoism, Confucianism, Mohism, the School of Names, Legalism, and the School of Yin-Yang. Author Huang Kejian explores the development of thought from the mystical concept of destiny to the philosophical "Dao" and offers a discussion of the major philosophical themes in each school of thought with a unique collection of insights from commentators. This book offers readers a holistic understanding of their philosophies through their historical place, existential concerns, and impact on future philosophers.
Heaven and Earth Are Not Humane: The Problem of Evil in Classical Chinese Philosophy by
That bad things happen to good people was as true in early China as it is today. Franklin Perkins uses this observation as the thread by which to trace the effort by Chinese thinkers of the Warring States Period (c.475-221 BCE), a time of great conflict and division, to seek reconciliation between humankind and the world. Perkins provides rich new readings of classical Chinese texts and reflects on their significance for Western philosophical discourse.
Illustrated Tao Te Ching by
Whether there ever was such a person as Lao Tzu is not certain, but that the Tao Te Ching has been one of the most important texts in Chinese culture for over 2000 years is beyond question. In recent years its influence outside China has grown enormously, and it is now probably the best-known Chinese text in the West.
In the Shadows of the Dao: Laozi, the Sage, and the Daodejing by
Challenges standard views of the origins of the Daodejing, revealing the work's roots in a tradition of physical cultivation.
An Introduction to Chinese Philosophy by
This comprehensive introductory textbook to early Chinese philosophy covers a range of philosophical traditions which arose during the Spring and Autumn (722-476 BCE) and Warring States (475-221 BCE) periods in China, including Confucianism, Mohism, Daoism, and Legalism. It considers concepts, themes and argumentative methods of early Chinese philosophy and follows the development of some ideas in subsequent periods, including the introduction of Buddhism into China. The book examines key issues and debates in early Chinese philosophy, cross-influences between its traditions and interpretations by scholars up to the present day. The discussion draws upon both primary texts and secondary sources, and there are suggestions for further reading. This will be an invaluable guide for all who are interested in the foundations of Chinese philosophy and its richness and continuing relevance.
Lao-Tzu and the Tao-Te-Ching by
Examines the traditional and modern Western interpretations of the Tao-te-ching, and its author, Lao-tzu.
The Old Master: A Syncretic Reading of the Laozi from the Mawangdui Text A Onward by
A unique translation of and commentary on the Laozi, based on the oldest edition of the work.
The Philosophy of the Daodejing by
For centuries, the ancient Chinese philosophical text the Daodejing (Tao Te Ching) has fascinated and frustrated its readers. While it offers a wealth of rich philosophical insights concerning the cultivation of one's body and attaining one's proper place within nature and the cosmos, its teachings and structure can be enigmatic and obscure. Hans-Georg Moeller presents a clear and coherent description and analysis of this vaguely understood Chinese classic. He explores the recurring images and ideas that shape the work and offers a variety of useful approaches to understanding and appreciating this canonical text. Moeller expounds on the core philosophical issues addressed in the Daodejing, clarifying such crucial concepts as Yin and Yang and Dao and De. He explains its teachings on a variety of subjects, including sexuality, ethics, desire, cosmology, human nature, the emotions, time, death, and the death penalty. The Daodejing also offers a distinctive ideal of social order and political leadership and presents a philosophy of war and peace. An illuminating exploration, The Daodejing is an interesting foil to the philosophical outlook of Western humanism and contains surprising parallels between its teachings and nontraditional contemporary philosophies.
The Pristine Dao by
The Laozi (Daodejing) and the Zhuangzi have long been familiar to Western readers and have served as basic sources of knowledge about early Chinese Daoism. Modern translations and studies of these works have encouraged a perception of Daoism as a mystical philosophy heavy with political implications that advises kings to become one with the Dao. Breaking with this standard approach, The Pristine Dao argues that the Laozi and the Zhuangzi participated in a much wider tradition of metaphysical discourse that included a larger corpus of early Chinese writings. This book demonstrates that early Daoist discourse possessed a distinct, textually constituted coherence and a religious sensibility that starkly differed from the intellectual background of all other traditions of early China, including Confucianism. The author argues that this discourse is best analyzed through its emergence from the mythological imagination of early China, and that it was unified by a set of notions about the Dao that was shared by all of its participants. The author introduces certain categories from the Western religious and philosophical traditions in order to bring out the distinctive qualities constituting this discourse and to encourage its comparison with other religious and philosophical traditions.
Reading the Dao by
The Dao De Jing represents one of the most important works of Chinese philosophy, in which the author, Lao Zi (c. 580-500 BC), lays the foundations of Taoism. Composed of 81 short sections, the text itself is written in a poetic style that is ambiguous and challenging for the modern reader. Yet while its meaning may be obscure, the text displays the originality of Lao Zi's wisdom and remains a hugely influential work to this day. In Reading the Dao: A Thematic Inquiry, Wang Keping offers a clear and accessible guide to this hugely important text. Wang's thematic approach opens up key elements of the Dao De Jing in a way that highlights and clarifies the central arguments for the modern reader. Presenting comprehensive textual analysis of key passages and a useful survey of recent Taoist scholarship, the book provides the reader with an insight into the origins of Taoist philosophy. This is the ideal companion to the study of this classic Taoist text.
Rediscovering the Roots of Chinese Thought: Laozi's Philosophy by
Rediscovering the Roots of Chinese Thought: Laozi's Philosophy is an English translation of one of the most influential Chinese texts on Daoism of the past century, written by Guying Chen, one of China's foremost scholars of Daoist thought and the author of annotated classical commentaries that serve as standard resources in many Chinese universities. This book offers a unique discussion of the Laozi, arguing--in contrast to standard Western scholarship--that the text goes back to a single author and identifying him as an older contemporary, and even teacher, of Confucius. This places the Confucian Analects after the Laozi and makes the text the most fundamental work of ancient Chinese thought. Chen explores these debates regarding these points, providing evidence based on materials excavated from Mawangdui and Guodian. His book is fascinating documentation of contemporary Chinese arguments and debates previously unavailable in English. It is nothing less than a complete revision of the history of Chinese thought with Daoism as its major focus.
Religious and Philosophical Aspects of the Laozi by
Leading scholars examine religious and philosophical dimensions of the Chinese classic known as the Daodejing or Laozi.
Tao - a New Way of Thinking by
This exceptional translation of the Tao Tê Ching by Chinese scholar Chung-yuan Chang reveals the true wisdom and beauty of this ancient Chinese text. Traditionally attributed to Taoist philosopher Lao Tzu, the Tao Tê Ching remains relevant worldwide today, more than two thousand years after it was written. This translation of the Taoist text, with Chang's accompanying commentaries, illuminates the real meaning of the Tao Tê Ching and makes this Chinese classic both accessible and relevant to modern ways of thinking, without any reduction of the complex thought within its pages. Chang Chung-yuan is unique in his approach and his introduction and commentaries place the Taoist text in the context of Western metaphysics, making reference to Heidegger, Hegel, Schopenhauer, Jung, Plato, Kant and Nietzsche, as well as capturing the context within which Taoism came to the West. Tao: A New Way of Thinking will be fascinating to anyone with an interest in Taoism and will be particularly appealing to those interested in comparative philosophy.
Taoist Mystical Philosophy: The Scripture of Western Ascension by
The Scripture of Western Ascension is a central text of medieval Taoist mysticism. Written by an unknown author in the fifth century A.D., it closely resembles the Tao te ching in structure and contents. Edited and commented on several times until the twelfth century, the text played an important role in Taoist religious thought. Kohn presents the first Western introduction to this aspect of traditional Chinese religion and culture. Through her careful textual study and fully annotated translation of the Scripture of Western Ascension, she delineates the history, structure, and contents of what mystical thought meant within the Taoist religion. She also discusses the religious background of the text and provides detailed analyses of the philosophical concepts of "The Physical Universe," "Mind, Knowledge, Language," and "The Way of the Sage."
The Tao of the Tao Te Ching: A Translation and Commentary by
In this new translation and commentary, LaFargue interprets the concept of "Tao" in the Tao Te Ching as a spiritual state of mind cultivated in a particular school in ancient China' a state of mind which also expressed itself in a simple but satisfying life-style, and in a low-key but effective style of political leadership. The interpretation offered here is not only historically accurate, but also conveys the spiritual depth of the Tao Te Ching and its contemporary relevance. The translation is made transparent by a design that presents all of the commentary on the page facing the relevant text.
Tao Te Ching by
Having masterfully translated a wide range of ancient Chinese poets and philosophers, David Hinton is uniquely qualified to offer the definitive contemporary English version of Lao Tzu's Tao Te Ching. Like all of his translations, Hinton's translation of the Tao Te Ching is mind-opening, presenting startling new dimensions in this widely-influential text. He shows how Lao Tzu's spirituality is structured around the generative life-force, for example, and that this system of thought weaves the human into natural process at the deepest levels of being, thereby revealing the Tao Te Ching as an originary text in deep feminist and ecological thought. Lao Tzu's Tao Te Ching is not only the single most important text ever composed in China, it is probably the most influential spiritual text in human history. In the past, virtually all translations of this text have been produced either by sinologists having little poetic facility in English, or writers having no ability to read the original Chinese. Hinton's fluency in ancient Chinese and his acclaimed poetic ability provide him the essential qualifications. Together, they allow a breathtaking new translation that reveals how remarkably current and even innovative this text is after 2500 years.
Tao Te Ching or, The Tao and its Characteristics by
The Tao Te Ching is a classic Chinese book of wisdom, said to have been written by the Taoist sage Laozi (or Lao Tzu, the Old Master) in the 6th century BC. It is the cornerstone text in Chinese Taoism, a philosophy, religion and way of life, and is also central to Chinese Buddhism. The Tao Te Ching has been an inspiration and guide to many Chinese artists, poets, calligraphers, and even gardeners, throughout history. In recent years its influence has spread far...
The Texts of Taoism by
Volume 1 of sacred writings of mystical Chinese religion reveal Tao, the way -- the key to living an obstacle-free life. Based on wu-wei, taking no unnatural action, it would make individual existence like the flow of water with no obstacles to impede. Famed Sinologist here offers standard English version of major Taoist writings.
Two Visions of the Way: A Study of the Wang Pi and the Ho-Shang Kung Commentaries on the Lao-Tzu by
Preface Introduction 1. Wang Pi: Life and Thought 2. Wang Pi: Non-being, Principle, and the Ideal Sage 3. Ho-shang Kung: Legend and Commentary 4. Ho-shang Kung: Cosmology, Government, and the Ideal Sage 5. Wang Pi and Ho-shang Kung Compared Notes Glossary Selected Bibliography Index
The Way and Its Power: A Study of the Tao tê Ching and its Place in Chinese Thought by
First published in 1934. Unlike previous translations, this translation of Lao Tzu's Tao Tê Ching is based not on the medieval commentaries but on a close study of the whole of early Chinese literature.
The World of Thought in Ancient China by
The center of this prodigious work of scholarship is a fresh examination of the range of Chinese culture thought during the formative period of Chinese culture. Benjamin Schwartz looks at the surviving texts of this period with a particular focus on the range of diversity to be found in them. While emphasizing the problematic and complex nature of this thought he also considers views which stress the unity of Chinese culture. Attention is accorded to pre-Confucian texts, to the evolution of early Confucianism, to Mo-Tzu, to the "Taoists" the legalists, the Ying-Yang school, the "five classics" as well as to intellectual issues which cut across the conventional classification of schools. The main focus is on the high cultural texts, but Mr. Schwartz also explores the question of the relationship of these texts to the vast realm of popular culture.
