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Refocusing Chaplin: A Screen Icon through Critical Lenses by
Widely recognized in his character of the Tramp, Charlie Chaplin transcended the role of actor to become screenwriter, director, composer, producer, and finally studio head. The subject of numerous biographical studies, Chaplin has been examined as both myth and man, but these treatments fail to adequately address the often-overlooked complexity of his filmmaking. Refocusing Chaplin: A Screen Icon through Critical Lenses features essays that examine the actor and director through various theoretical perspectives--including Marxism, feminism, gender studies, deconstruction, psychoanalytic criticism, new historicism, performance studies, and cultural criticism. Complementing this range of intellectual inquiry is the wide reach of films discussed, from The Circus (1928), The Gold Rush (1925), and City Lights (1931) to Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), and Limelight (1952). Shorter films, such as "The Pawnshop" (1916), "The Rink" (1916), and "A Dog's Life" (1918) are also examined. These essays analyze the tensions between the carefully constructed worlds of Chaplin's films and their cultural contexts. The varied approaches and range of materials in this volume not only comprehensively assess the screen icon but also foster a conversation that exemplifies the best of intellectual exchange. Refocusing Chaplin provides a unique view into the work of one of cinema's most important and influential artists.
Modern Times by 
American Media and Mass Culture: Left Perspectives by
On subjects from Superman to rock 'n' roll, from Donald Duck to the TV news, from soap operas and romance novels to the use of double speak in advertising, these lively essays offer students of contemporary media a comprehensive counterstatement to the conservatism that has been ascendant since the seventies in American politics and cultural criticism. Donald Lazere brings together selections from nearly forty of the most prominent Marxist, feminist, and other leftist critics of American mass culture-from a dozen academic disciplines and fields of media activism. The collection will appeal to a wide range of students, scholars, and general readers.
Corporate Media and the Threat to Democracy by
"In this passionate and strikingly lucid essay, Robert McChesney makes clear why all of us should be alarmed about the effects of media mergers on the future of American democracy. This is a must reading for anyone who wants to get a quick understanding of this troubling trend."--Susan J. Douglas, author of Growing Up Female with the Mass Media
Culture, Society and the Media by 
Dialectic of Enlightenment: Philosophical Fragments by
This celebrated work is the keystone of the thought of the Frankfurt School. It is a wide-ranging philosophical and psychological critique of the Western categories of reason and nature, from Homer to Nietzsche.
How Hollywood Works by
This is a book about the US motion picture industry - its structure and policies, its operations and practices. It looks at the processes that are involved in turning raw materials and labor into feature films. It describes the process of film production, distribution, exhibition and retail - a process that involves different markets where materials, labor and products are bought and sold. In other words, this is a book about how Hollywood works - as an industry. How Hollywood Works: - offers an up-to-date survey of the policies and structure of the US film industry - looks at the relationship between the film industry and other media industries - examines the role of the major studios and the other 'players' - including, law firms, talent agents, and trade unions and guilds - provides access to hard-to-find statistical information on the industry While many books describe the film production and marketing process, they usually do so from an industry perspective and few look at Hollywood critically from within a more general economic, political and social context. By offering just such a critique, Janet Wasko's text provides a timely and essential analysis of how Hollywood works for all students of film and media.
Manufacturing Consent: The Political Economy of the Mass Media by
In this pathbreaking work, Edward S. Herman and Noam Chomsky show that, contrary to the usual image of the news media as cantankerous, obstinate, and ubiquitous in their search for truth and defense of justice, in their actual practice they defend the economic, social, and political agendas of the privileged groups that dominate domestic society, the state, and the global order. Based on a series of case studies--including the media's dichotomous treatment of "worthy" versus "unworthy" victims, "legitimizing" and "meaningless" Third World elections, and devastating critiques of media coverage of the U.S. wars against Indochina--Herman and Chomsky draw on decades of criticism and research to propose a Propaganda Model to explain the media's behavior and performance. Their new introduction updates the Propaganda Model and the earlier case studies, and it discusses several other applications. These include the manner in which the media covered the passage of the North American Free Trade Agreement and subsequent Mexican financial meltdown of 1994-1995, the media's handling of the protests against the World Trade Organization, World Bank, and International Monetary Fund in 1999 and 2000, and the media's treatment of the chemical industry and its regulation. What emerges from this work is a powerful assessment of how propagandistic the U.S. mass media are, how they systematically fail to live up to their self-image as providers of the kind of information that people need to make sense of the world, and how we can understand their function in a radically new way.
Marx and the Political Economy of the Media by
More than 130 years after Karl Marx's death and 150 years after the publication of his opus magnum Capital: Critique of Political Economy, capitalism keeps being haunted by period crises. The most recent capitalist crisis has brought back attention to Marx's works. This volume presents 18 contributions that show how Marx's analyses of capitalism, the commodity, class, labour, work, exploitation, surplus-value, dialectics, crises, ideology, class struggles, and communism help us to understand media, cultural and communications in 21st century informational capitalism. Marx is back This book is a key resource on the foundations of Marxist Media, Cultural and Communication Studies.
Marx in the Age of Digital Capitalism by
More than 130 years after Karl Marx's death and 150 years after the publication of his opus magnum Capital: Critique of Political Economy, capitalism keeps being haunted by period crises. The most recent capitalist crisis has brought back attention to Marx's works. This volume presents 16 contributions that show how Marx's analyses of capitalism, the commodity, class, labour, work, exploitation, surplus-value, dialectics, crises, ideology, class struggles, and communism, help us to understand the Internet and social media in 21st century digital capitalism. Marx is back This book is a key resource on the foundations of Marxist Internet and Digital Media Studies.
The New Media Monopoly by
When the first edition of The Media Monopoly was published in 1983, critics called Ben Bagdikian's warnings about the chilling effects of corporate ownership and mass advertising on the nation's news "alarmist." Since then, the number of corporations controlling most of America's daily newspapers, magazines, radio and television stations, book publishers, and movie companies has dwindled from fifty to ten to five. The most respected critique of modern mass media ever issued is now published in a completely updated and revised twentieth anniversary edition. 'Ben Bagdikian has written the first great media book of the twenty-first century. The New Media Monopoly will provide a roadmap to understanding how we got here and where we need to go to make matters better.' -Robert McChesney, author of Rich Media, Poor Democracy
The Political Economy of Information by
The "information society" is real. Information--as a marketable commodity--is quickly taking up the powerful role once held by heavy industry and manufactured products. How this revolution is affecting society, and how society and government are responding to it, is the subject of this book. Its lessons and conclusions are of critical importance as we enter the last decade of this century. Every dimension of social life, whether in the home or the workplace, is affected by information and the technologies that give it market value. Along with the positive aspects of these broad changes, there are inevitable problems: the growing gap between the "information rich" and "information poor," the need for widespread access to communication and information technology, the threat to individual privacy, and the potential of the technology to create global instabilities. The editors have enlisted specialists and scholars in business, communications studies, computing and information science, economics, law, library science, political science, and sociology to examine these changes and problems by looking at information specifically as a commodity to be traded, protected, and desired.
The Problem of the Media: U.S. Communication Politics in the Twenty-first Century by
The symptoms of the crisis of the U.S. media are well-known--a decline in hard news, the growth of info-tainment and advertorials, staff cuts and concentration of ownership, increasing conformity of viewpoint and suppression of genuine debate. McChesney's new book, The Problem of the Media, gets to the roots of this crisis, explains it, and points a way forward for the growing media reform movement. Moving consistently from critique to action, the book explores the political economy of the media, illuminating its major flashpoints and controversies by locating them in the political economy of U.S. capitalism. It deals with issues such as the declining quality of journalism, the question of bias, the weakness of the public broadcasting sector, and the limits and possibilities of antitrust legislation in regulating the media. It points out the ways in which the existing media system has become a threat to democracy, and shows how it could be made to serve the interests of the majority. McChesney's Rich Media, Poor Democracy was hailed as a pioneering analysis of the way in which media had come to serve the interests of corporate profit rather than public enlightenment and debate. Bill Moyers commented, "If Thomas Paine were around, he would have written this book." The Problem of the Media is certain to be a landmark in media studies, a vital resource for media activism, and essential reading for concerned scholars and citizens everywhere.
Rich Media, Poor Democracy: Communication Politics in Dubious Times by
An updated edition of the "penetrating study" examining how the current state of mass media puts our democracy at risk (Noam Chomsky). What happens when a few conglomerates dominate all major aspects of mass media, from newspapers and magazines to radio and broadcast television? After all the hype about the democratizing power of the internet, is this new technology living up to its promise? Since the publication of this prescient work, which won Harvard's Goldsmith Book Prize and the Kappa Tau Alpha Research Award, the concentration of media power and the resultant "hypercommercialization of media" has only intensified. Robert McChesney lays out his vision for what a truly democratic society might look like, offering compelling suggestions for how the media can be reformed as part of a broader program of democratic renewal. Rich Media, Poor Democracy remains as vital and insightful as ever and continues to serve as an important resource for researchers, students, and anyone who has a stake in the transformation of our digital commons. This new edition includes a major new preface by McChesney, where he offers both a history of the transformation in media since the book first appeared; a sweeping account of the organized efforts to reform the media system; and the ongoing threats to our democracy as journalism has continued its sharp decline. "Those who want to know about the relationship of media and democracy must read this book." --Neil Postman "If Thomas Paine were around, he would have written this book." --Bill Moyers
