| Library status: currently open during regularly scheduled hours. |
| Library status: currently open during regularly scheduled hours. |
The Encyclopedia of Decorative Styles, 1850-1935 by 
Art Nouveau, 1890-1914 by 
Art Nouveau by
At the turn of the nineteenth century, Art Nouveau was both Europe and America's boldest and most fashionable style. It could be seen in the sinuous ironwork of the new Paris Metro stations, the curving asymmetry of Lalique's jewellery and Tiffany's Japanese-inspired glassware. Art Nouveau brought a new decorative language to furniture, jewellery and graphic arts, as well as architecture, sculpture and painting. Known by a variety of names - Jugendstil in Germany, Secession style in Austria, the Modernista movement in Catalonia - it was a truly international new art for an explosive new age. This is the first book to examine Art Nouveau worldwide in the context of the issues of the time: from fin-de-siècle anxieties about the pressures of modern life to nationalism, spiritualism, the emancipation of women and the heroic cult of youth.
Art Nouveau by
Ever since its triumph at the Paris Universal Exposition, Art Nouveau has continued to inspire artists. The movement offered an artistic response to the industrial revolution and the creative vacuum left in its wake, exerting a huge impact on the decorative arts. Art Nouveau spans all forms of expression - including design, painting and architecture - and covers artists such as Gustav Klimt, Koloman Moser, Antoni Gaudí, Jan Toorop, and William Morris.
Art Nouveau by
This critical survey of the Art Nouveau movement reveals the diversity of this style across the breadth of the European continent. With the inclusion of Eastern Europe and the full range of artistic media, the book shows how this movement changed the face of European art and design from Paris to Prague. Clearly structured by country, it traces the emergence of Art Nouveau, highlighting the particular interpretations of the style in each country. Countries covered include: Belgium; Spain; Britain; Austria; Hungary; and Russia. Each chapter contains sections on political and cultural contexts, specific visual characteristics and key artists and designers. It analyzes the contribution of both well-known artists and designers such as Gaudi; Van de Velde; Mackintosh; and Mucha, and brings to light many others whose contributions have been largely inaccessible. With a bibliography and glossary, this text should provide a useful introduction to this subject.
The Flowering of Art Nouveau Graphics by 
Modernism and the Decorative Arts in France by
In this book, Nancy J.Troy argues that the decorative arts are vitally important to understanding early 20th century modernism. She examines the effects of industrialization and international competition on the development of decorative arts in France during the period that began with Art Nouveau in 1895 and culminated in the Art Deco exhibition of 1925.
Moscow Art Nouveau by
An illustrated discussion of the architects and the buildings they designed, revealing Moscow Art Nouveau in all its diversity.
